A Quote by Sarah Gavron
It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.
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My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
My favorite film is 'The Shining,' mostly because it was the film that inspired me to become a filmmaker myself.
I never want to set a belief that a woman has to direct a woman's film, meaning she can't direct a man's film. If only films can be directed by people who are exactly the same as that, it's only gonna limit all of the women more.
I never had a mentor. God, it would have been nice, but I just didn't. I look up to Jane Campion. And my most favorite director Lynne Ramsay.
I could never really choose a favorite book, but whenever I'm asked what my favorite movie is, I always say 'Withnail & I,' a British film from 1987. It's funny and sad and absolutely gorgeous to look at. It's the film I can watch over and over again.
Some of my favorite all-time movies - Wong Kar-wai is just amazing. In the Mood for Love is probably my favorite film ever. Those lyrical montages are so stunning.
People recognize me on the street for all kinds of different things that I've done. 'That Thing You Do' remains to be my favorite film in which I played my favorite character. That role is the one that I'm most recognized for.
I loved 'Junebug.' It was one of my favorite films, my favorite type of film.
'Matilda' was my favorite movie to film and my favorite to watch, as well.
Nooooooo... favorite film, that's like asking if you have a favorite kid!
My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
Well I'm Superman, just not action. I'm kind of looking for something with a lot less action and more talking and listening. I also have a film that's premiering Vegas Film Festival, short film, directed by Joel Kelly, it's called Denial and it's a story, short film, 35 mm short film and it's about a man's struggle to choose between the woman of his dreams and his reality, so it's definitely different than Superman. So I'm really proud of that.
It was only when I saw films in my early 20s by Jane Campion, Mira Nair, Sally Potter and Kathryn Bigelow, I started to think, 'Oh, it's possible.' I dared to suggest that I wanted to train to be a film director.
I had directed a short film called 'Girvhi' earlier, on child labour. It was a fictional story. At that time, I realised I could direct a film if given a chance.
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