A Quote by Sarah Gavron

It was only when I saw films in my early 20s by Jane Campion, Mira Nair, Sally Potter and Kathryn Bigelow, I started to think, 'Oh, it's possible.' I dared to suggest that I wanted to train to be a film director.
I had read Jhumpa Lahiri's 'Namesake' and thought it would make a fabulous film, as I could identify with the central character. When Mira Nair announced the film, I wanted to do the role. When it fell into my lap, I was over the moon.
Salaam Bombay' and 'Monsoon Wedding' are the two Mira Nair films I go back to.
Jane Campion is a tough director.
'Devdas' isn't a real film. It isn't in the same genre as Mira Nair's 'Monsoon Wedding,' where the camera's presence is so understated it almost disappears.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects.
Some of these things I saw in foreign films - African films, Cuban films - long before I decided to really go on this course as an actor. I started to think about what values I saw in those films that I wanted to bring to my projects
I loved Kathryn Bigelow's 'Zero Dark Thirty;' my favorite films are 'The Godfather,' 'Kill Bill: Volume 2'... I dig Tarantino's works.
I was shooting a mini-series for Sundance/BBC, called 'Top of the Lake,' that was shot by Jane Campion, who's a beautiful native New Zealander and famous film director. The role I was playing was very intense, and they shaved half my hair off. So, I looked like this post-apocalyptic character.
When industry people see something different they don't know what to do with it, so filmmakers who make films about women, they kind of fall through the cracks. If a woman filmmaker makes film about war, like [Kathryn] Bigelow, they say "Okay, this is a war film, it has ninety percent men in it, we know what to do with it." But then she still gets attacked for not doing it properly. [...] But even though it bothers me I don't want to dwell on the sex and gender thing.
It has to be 'The Piano' by Jane Campion. It inspired me to pursue my dream to direct. It is not just my favorite woman-directed film - it is my favorite film.
In the case of 'Zero Dark Thirty,' about the hunt for Osama bin Laden, an issue that is central to the film - torture - is so important that I feel I must say something. Mark Boal and Kathryn Bigelow have been irresponsible and inaccurate in the way they have treated this issue in their film.
I never had a mentor. God, it would have been nice, but I just didn't. I look up to Jane Campion. And my most favorite director Lynne Ramsay.
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
I'm a huge fan of Kathryn Bigelow's 'Near Dark.'
But things such as 'Harry Potter', all I can do is shape my character, seek the director's approval on that, and basically take it from there. Professor Flitwick in 'Harry Potter', I kind of defined how I saw him from reading the book, and luckily that matched up with the director's vision.
Kathryn Bigelow is a really good example of somebody that has maintained her truth and she makes the films she wants to make and she hasn't let other people affect her too much. Her last film is to me so inspiring and the way she sees war, the way she set up those really intimate relationships in and amongst this carnage.
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