A Quote by Sarah Gavron

Film is a machine: you never stop. — © Sarah Gavron
Film is a machine: you never stop.
Milosevic will never stop, because he is fighting for personal power in Serbia. The only way to stop him is cutting the functioning of his war machine. He is spending $1.7 million a day on his war machine in Kosovo.
If all individuals were conditioned to machine efficiency in the performance of their duties there would have to be at least one person outside the machine to give the necessary orders; if the machine absorbed or eliminated all those outside the machine, the machine will slow down and stop forever.
The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
The machine yes the machine never wastes anybody's time never watches the foreman never talks back.
On some sets, if a helicopter goes by, what would normally happen is that somebody would go, 'There's a helicopter. Stop.' I'd never stop for a helicopter. I am always trying to make sure that the machine is in service to the actors.
Once they said they can only stop me with a pistol but today you need a machine gun to stop Messi.
Anyone who's made film and knows about the cinema has a lifelong love affair with the experience. You never stop learning about film.
I re-mastered 'The Conversation' a few years ago for DVD. 'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way. Truth be told, I couldn't.
I see a film or a TV series or a play as being this machine. It sounds quite robotic, in its description, but it's basically a machine and you're just one of the cogs that goes in it. You're not the biggest one, and you're not the smallest one. Everyone's the same size.
Who is all-powerful in the world? Who is most dreadful in the world? The machine. Who is most fair, most wealthy, and all-wise? The machine. What is the earth? A machine. What is the sky? A machine. What is man? A machine. A machine.
The PS3 is not a game machine. We've never once called it a game machine...With the PS3, our intentions have been to create a machine with supercomputer calculation capabilities for home entertainment.
I think you have to find how the machine can work for you. That's what I mean by "attaching yourself to the machine," 'cause the machine is going to be there, and you can rage against the machine, which is cool, but there's ways that you can benefit off the machine if you're savvy enough and you're sharp enough, smart enough. We all got to live and eat.
'You might think of combinatorics as a machine too', the major says. 'A different sort of machine, though. Have you heard of Babbage's analytic engine? He never built it. ... I have an analytic machine of my own-right here.' He taps his own skull.
Everybody has been saying 'Srimanthudu' is the best film of my career. After watching the film, Dad told me that he's never seen me perform like this. I just couldn't stop myself from crying.
My approach is to start from the straightforward principle that our body is a machine. A very complicated machine, but none the less a machine, and it can be subjected to maintenance and repair in the same way as a simple machine, like a car.
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