A Quote by Sarah Gavron
With 'Suffragette,' I was emboldened that there were so many women around me. We had a female writer, producers, production and costume designers.
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It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
In the beginning, I found myself dealing with a show business dictated by male white supremacists and chauvinists. As a black female, I had to learn how to tap dance around the situation. I had to ... find a way to present my point of view without being pushy or aggressive. In the old days, the only women I saw in this business were in makeup, hairdressing, and wardrobe departments. Now I'm surrounded by women executives, writers, directors, producers, and even women stagehands.
A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
It's tougher for women than men in Hollywood, period, if you ask me. As with most professions, women have generally not found equality with men when it comes to income and influence. There aren't as many female directors, producers, and writers, which translates to fewer complex roles for women.
The creators of kids' media had no idea they were leaving out that many female characters. They were in utter shock that the worlds they were creating were so bereft of female presences.
Our power creates collective production in the service of the people and the revolution, destroys exploiting production, transforms individualistic producers into producers integrated into the collectivity.
Set designers, costume designers, actors, writers, music, that's what is beautiful.
In the not-for-profit world, I never felt that being female was an impediment. I was, however, given my break into commercial theatre by a female producer, Judy Craymer, and women - in particular, Donna Langley, president of production at Universal - were crucial in giving 'Mamma Mia' a home in Hollywood.
When I was 10 and 11, my dream was to be a boy. I saw that there were so many injustices that women had to live with around me. I didn't want to have that; I wanted to have the freedom that little boys had.
With 'Suffragette,' I felt that a female writer would be good, and considering the subject matter, who would be better to write the script than Abi Morgan? She was the first choice, and she happens to be a woman.
When I was a lawyer, I looked around at the female partners at the law firm - this is many years ago. And there were three. And they were lovely and they had three very different life circumstances and journeys that had gotten them to that vaunted position.
I knew I wanted to make a movie that looked decadent and expensive. I knew we would have to make every penny stretch and put as much of the budget onscreen as possible. So it starts with your heads of departments - your production designer, costume, hair and makeup designers. Picking the right people who were as committed as I was to telling the story as I was.
You know, when I got started on television in the '80s, you would go to the costume department, and if you were a female they put you into a skirt. And you had a pocketbook, usually a shoulder bag.
I have the same interests as women. Well, apart from football and music, obviously. I've always had as many female friends as male ones. The novels I read as a young man were all by women writers, and when I started writing, I wanted to set my books inside the home.
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