A Quote by Sarah Gavron
I suppose I do have an interest in stories that show complexity.
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With 'Street Fight,' it took an urban mayoral election and found lots of complexity in there. The same with 'Racing Dreams.' I wanted to show complexity within this world that most documentary people don't know anything about.
Second law: The complexity barrier. Software complexity (and therefore that of bugs) grows to the limits of our ability to manage that complexity.
I suppose is very cathartic to do a show to the masses and you get to make magic in a manner that you can't do in regular life, but I suppose that self esteem effect is one of the most powerful.
We academics - I am an academic - we love complexity. You can write papers about complexity, and the nice thing about complexity is it's fundamentally intractable in many ways, so you're not responsible for outcomes.
I love hearing stories, telling stories, sharing stories. I've shared 37,000 on the Oprah show! Every day I was like the town crier.
The God-honest truth is that Jeff and I just do what we do. You have no control. We didn't have control last year, or the year before either, or the year before that. We can only do what we do, which is to make the show that we love, continue to follow the path for the stories that we want to tell, tell great and compelling stories, week-to-week, that interest our fans, and really hope for the best.
I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.
We're all made of stories. When they finally put us underground, the stories are what will go on. Not forever, perhaps, but for a time. It's a kind of immortality, I suppose, bounded by limits, it's true, but then so's everything.
I suppose the other thing too many forget is that we were all stories once, each and every one of us. And we remain stories. But too often we allow those stories to grow banal, or cruel or unconnected to each other.We allow the stories to continue, but they no longer have a heart. They no longer sustain us.
Filmmaking became a possible way for me to combine my interest in photography and in gathering stories, as well as my interest in journalism and political science and international relations.
This is a general law of the universe, overlooked by science, that out of complexity emerges greater complexity. We could almost say that the universe, nature, is a novelty-conserving, or complexity-conserving engine.
Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.
But suppose one doesn't quite know which one wants to put first. Suppose," said Harriet, falling back on words which were not her own, "suppose one is cursed with both a heart and a brain?" "You can usually tell," said Miss de Vine, "by seeing what kind of mistakes you make. I'm quite sure that one never makes fundamental mistakes about the thing one really wants to do. Fundamental mistakes arise out of lack of genuine interest. In my opinion, that is.
My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.
America may be a fallible democracy. But when the president sacrifices the national interest for his personal interest, we can show that unlike other countries, we have a remedy.
Most of the complexity of the stories has developed as the stories came along (and may be a product of the principle that "nothing is what it seems"). I did start with some essential ambiguousness in the aliens' motivation and the questions this raises in human minds, which I consider to have been disregarded in Contact (novel and film). That, in part, may be what has delayed the writing of the fifth and sixth novelettes in the series.
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