A Quote by Satish Kaushik
Remaking 'Karzzz' was like revisiting childhood.
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One wants to be able to experience being other people, remaking a reality, remaking a life, remaking a certain world.
Revisiting much-loved childhood novels is never easy.
'Karzzz' was a mistake.
I knew that I couldn't afford to go wrong with the music of 'Karzzz.'
I really love MFK Fisher's food writing, and obviously Anthony Bourdain's food writing is exceptional, in particular 'A Cook's Tour'. I really love the short story that he writes about revisiting the coastal town in France of his childhood and the memories that he has of his father.
They say that childhood forms us, that those early influences are the key to everything. Is the peace of the soul so easily won? Simply the inevitable result of a happy childhood. What makes childhood happy? Parental harmony? Good health? Security? Might not a happy childhood be the worst possible preparation for life? Like leading a lamb to the slaughter.
Karzzz is my way' of paying homage to the mesmerising cinema of '80s, to Subhash Ghai's revered cult film 'Karz.'
When I look back on my childhood I wonder how I survived at all. It was, of course, a miserable childhood: the happy childhood is hardly worth your while. Worse than the ordinary miserable childhood is the miserable Irish childhood, and worse yet is the miserable Irish Catholic childhood.
The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.
I started remaking songs that were already poppin' - it was easier like that.
It was awkward, revisiting a world you have never seen before: like coming home, after a long journey, to someone else’s house.
I had a beautiful childhood and a lovely childhood. I just didn't like being a child. I didn't like the rank injustice of not being listened to. I didn't like the lack of autonomy.
I like revisiting my early work, and people like to hear it. I don't make people suffer through any experimentation or new material. When I go see an artist, I want to hear the songs that drew me to them, so I do the same.
Everyone I'm photographing, I feel like I'm remaking a family, in a way. My brothers and sisters are my heroes. So many of my models resemble them.
Acting gets into your blood, after so many years, and I just always like revisiting it. It's fun to meet new people and watch them coming along, at different stages of their careers.
Maya Jasanoff's Liberty's Exiles places the loyalist experience and the aftermath of the American Revolution in an entirely new light. Alongside the Spirit of 1776, Jasanoff gives us the Spirit of 1783, dedicated to remaking the mighty British Empire, and then offers a stunning reinterpretation of the Loyalists' complicated role in that remaking. Her meticulously researched and superbly written account is historical revision at its finest, and it affirms her place as one of the very finest historians of the rising generation.
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