A Quote by Satish Kaushik
Karzzz is my way' of paying homage to the mesmerising cinema of '80s, to Subhash Ghai's revered cult film 'Karz.'
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In an industry where actors are known to steal scenes and roles from under your nose Sohail bhai has been going out of his way to be good to me. It's true he got me Subhash Ghai's 'Paying Guest.' The role was offered to Sohail bhai. When he couldn't do it, he recommended me.
I never ask for a script when it comes to Subhash Ghai. I just do whatever he asks me to.
There was Rajniji, Subhash Ghai, Dimple Kapadia, Anupam Kher, and a few other friends at my wedding. That's it.
Working with Subhash Ghai is always a different experience. Subhashji is my mentor. I'm always glad to work with him.
Both Ram Gopal Varma and Subhash Ghai are great directors and it was a great experience working with them.
I was bullied by Subhash Ghai. He even took me to the court and wanted me to cancel my first show. It was quite stressful. He sent a message to all the producers that nobody should work with me.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
The American public is a very specialized public. The reason it is taken as a realistic film is because inside the fable, I've put that kind of reality in. And it could easily be called, instead of Once Upon a Time in America, Once Upon a Time There Was a Certain Kind of Cinema. Because it was also an homage to cinema.
For whatever reason, every project I do becomes sort of a cult, or a cultish show, you know, like 'Battlestar,' or even a film I did years ago, 'Kalifornia,' people refer to it as a cult film.
There was never a moment where I was intentionally cribbing from another actor. More so, I grew up watching other actors design the character of The Joker to me, and obviously, the part was paying tribute to The Joker, and so I wanted to, you know, perform it to the best of my abilities in a way that it seemed to be paying homage to the character.
David Lynch and I almost made a movie together in the late '80s. We had lots of dinners and lunches. He's a very cool, hip guy. This film, let's face it, is like an homage to him, I would imagine he'd find it funny.
Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.
We can't keep thinking in a limited way about what cinema is. We still don't know what cinema is. Maybe cinema could only really apply to the past or the first 100 years, when people actually went to a theater to see a film, you see?
'Psych' was so many different things, and they evolved in so many different ways over the years, and towards the end there, we were barely solving mysteries anymore. We were just paying homage to our favorite movies, television shows, and bringing through as many '80s icons as we possibly could.
Well cult is a word you would never say in Hollywood. In any film business, if you're trying to get your next film made, you would never say, "Oh, my last film was a cult film." I'd say, "Oh great, well I hope this one isn't!"
I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
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