A Quote by Satyajit Ray

Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind. — © Satyajit Ray
Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind.
Human beings are born into this little span of life of which the best thing is its friendships and intimacies … and yet they leave their friendships and intimacies with no cultivation, to grow as they will by the roadside, expecting them to "keep" by force of mere inertia.
I thought Mia Hansen-Love was a true auteur, and I always wanted to work with her. Mia's empathy for her characters and her ability to use the language of cinema to communicate real human depth is extraordinary. She's a humanist.
Man's most human characteristic is not his ability to learn, which he shares with many other species, but his ability to teach and store what others have developed and taught him.
The ability to make love frivolously is the chief characteristic which distinguishes human beings from the beasts.
The ability to make love frivolously is the chief characteristic which distinguishes human beings from beasts.
What I would love to see is art that explicitly addresses not personal intimacies but anonymous intimacies: the vast collections of facts about you and me that now exist in giant server banks.
Women become attached to men by the intimacies they grant them; men are cured of their love by the same intimacies.
The ability to change one's mind is probably a key characteristic of the successful investor. Dogmatic and rigid personalities rarely, if ever, succeed in the markets. The markets are a dynamic process, and sustained investment success requires the ability to modify and even change strategies as markets evolve.
It is a characteristic of the human mind to hate the man one has injured.
The characteristic human trait is not awareness but conformity, and the characteristic result is religious warfare. Other animals fight for territory or food; but, uniquely in the animal kingdom, human beings fight for their 'beliefs.'
The characteristic human trait is not awareness but conformity, and the characteristic result is religious warfare.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
We do not need to invent sustainable human communities. We can learn from societies that have lived sustainably for centuries. We can also model communities after nature's ecosystems, which are sustainable communities of plants, animals, and microorganisms. Since the outstanding characteristic of the biosphere is its inherent ability to sustain life, a sustainable human community must be designed in such a manner that its technologies and social institutions honor, support, and cooperate with nature's inherent ability to sustain life.
The problem with reality TV is that creative writers are not involved; TV folks are, and some journalists who will only mine the surface of subjects. Hard work necessary for discovering and delineating the intimacies of the subjects they capture is mostly avoided.
The greatest form of expression - or, at least, the most common that we have as human beings, what separates us from the animals - is speaking: the ability to communicate.
A general limitation of the human mind is its imperfect ability to reconstruct past states of knowledge, or beliefs that have changed. Once you adopt a new view of the world (or any part of it), you immediately lose much of your ability to recall what you used to believe before your mind changed.
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