A Quote by Satyajit Ray
I don't understand these national awards, because half of those who sit in judgement over Indian films do not... possess the competence to evaluate a film correctly.
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I'm just one of those people that if I sit down to watch a horror film, I put my hands over my face and I cry a lot and I don't see half of the film because I'm too upset.
What an investor needs is the ability to correctly evaluate selected businesses. Note that word “selected”: You don't have to be an expert on every company, or even many. You only have to be able to evaluate companies within your circle of competence. The size of that circle is not very important; knowing its boundaries, however, is vital.
Indian film industry has shot films all over the world and we get a lot of benefits and facilities while shooting our films in foreign locations.
I had seen 'Onaatah' when I was a part of the National Film Awards jury in 2016. I was very impressed with the film because it was a small but a very inspiring film. Since it touched my heart, I thought of remaking it.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
Yes, TV is the dominant medium in Pakistan, but it was a conscious decision to have an Indian film as my first release. Being launched in an Indian film with a great script, character, and music is half the battle won. The rest is destiny.
In the 80s, parallel cinema gained momentum. So, I got back to films and won National awards for Maqbool' and other films.
India and Indian film industry is very generous, they embrace people from all over the world and make them into stars, give them awards, and huge recognition.
I say have the night and give people the awards, but why do people want to watch people win awards? What are they getting out of it? I don't quite get it. Because they have awards all the time; there's awards for butchers, the best meat served, but they don't televise it. I don't know why they do it for films or TV programs.
Indian film awards lack credibility.
'Gandhi' was a well-made film but surely not my best. It had flaws, which I understand two-and-a-half decades after I directed it. I will never call it a propaganda film for the Indian Congress, but it could have been made better had I concentrated on certain minute details.
Indian filmmakers sometimes twist the details and the mood of the film to give it the Indian masala flavor. This tod-marod in films is a rather big impediment.
Norway is a small country, about half the size of Sweden, but it has a very good film climate because they have municipal cinemas, so even in the smallest towns you have a cinema that shows art house films from all over the world.
An Indian is an Indian regardless of the degree of Indian blood or which little government card they do or do not possess.
Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!
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