A Quote by Satyajit Ray

My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
Bombay is far ahead of Bengal in the matter of female education. I have visited some of the best schools in Bengal and Bombay, and I can say from my own experience that there are a larger number of girls receiving public education in Bombay than in Bengal; but while Bengal has not come up to Bombay as far as regarded extent of education, Bengal is not behind Bombay in the matter of solidarity and depth.
I've been to Delhi, Madras, Bangalore and a lot of other cities, but I have never seen a crime set-up like that in Bombay.
Bombay as a confident, welcoming city that takes in a million new people a year, that those who want to harm the country pick Bombay. Other Indian cities, such as Delhi and Varanasi, have also been bombed recently, but Bombay's significance as the financial capital of the country means that it's the best target for terrorists who're unhappy with India's progress.
As a middle class girl from Delhi, with practically no backing in films, this industry and the audience have given me a lot of love.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
The day Bengali cinema lost touch with literature and started aping the south, the middle class audience stopped going to the cinema halls and later the larger audience too stopped going.
The audience had a huge expectation from me in Bengal, and now in Hindi also people have started expecting from me because they know I am a senior actor from Bengal.
Sometimes, actors in films will play the ending of the movie, or even the middle, and you know where it's going - as an audience member, you can read the actor.
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
I'm obsessed with all things Bengali, man. I love fish, my maid is Bengali, I acted in Bengali and Bangladeshi films.
I have seen vast, perhaps unbelievable, changes during the journey that has brought me from the flicker of a lamp in a small Bengal village to the chandeliers of Delhi.
The cities drain the country of the best part of its population: the flower of the youth, of both sexes, goes into the towns, andthe country is cultivated by a so much inferior class. The land,--travel a whole day together,--looks poverty-stricken, and the buildings plain and poor.
When I play for Delhi in Ranji Trophy, I try to help Delhi win, and when I play IPL for KKR, I aim to make KKR win.
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