A Quote by Satyajit Ray

What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
The thing you can't measure is someone's heart, someone's desire. You can measure a 40, his vertical, his bench press, and that might let you know things like, yeah, he can jump high. But desire, his dedication, his determination, that's something you can't measure. That's something you can't measure about Rod Smith.
Perhaps someone will have seen mine, the one I’m waiting for, just as I saw him, in a ditch when his hands were making their last appeal and his eyes no longer could see. Someone who will never know what that man was to me; someone whose name I’ll never know.
Synthesis..., perhaps in greater measure than activities in any other area of organic chemistry, provides a measure of the condition and power of science. For synthetic undertakings are seldom if ever undertaken by chance, nor will the most painstaking, or inspired, purely observational activities suffice. Synthesis must always be carried out by plan.
I spoke to Geoff Johns a lot. We went back and forth, and found a way to bring up the best qualities in his personality and psychology and also fill a niche in Gotham that we've never seen. It became about is there a way to really plant this hero in Gotham and say this is someone you haven't seen before - both in terms of who they are as a person and who they are as a hero.
Be someone who genuinely seeks to understand, and you will be wise. Be someone kind, someone considerate, and you will be admired. Be someone who values truth, and you will be respected. Be someone who takes action, and you will move life forward.
Woman magic. A quality that could bring great joy or havoc or both in equal measure.
In any relationship, only if both partners bring in emotional, financial commitment and honesty in equal measure, can there be harmony.
When you're having a conversation with someone who, despite his brilliant medical career, says he's going to produce the film, you think, "How's he gonna do this? Is he insane, or is he really going to pull this off? It might be both." It's really amazing to see someone do what he's done.
When you do a film, when you do a television show, eventually someone comes along and will say to you, 'Don't say that because, one, you will offend someone, or, two, no one will get that. Someone's going to be confused by that, not get the reference and feel abandoned, and then they will get angry at the entertainment.'
He couldn't bear to live, but he couldn't bear to die. He couldn't bear the thought of he making love to someone else, but neither could he bear the absence of the thought. And as for the note, he couldn't bear to keep it, but he couldn't bear to destroy it either.
Every new book is a challenge. I could, of course, have stopped many years ago if it was only for money. But no, it is about building bridges among cultures, different cultures... When you want someone to understand something that is not forcefully in your culture, you use stories.
As much as you can love someone, is as much as you can hate someone. It goes in equal and opposite directions. Like if you love someone so much and they hurt you so bad, then that is as equal as to how much you can have rage for them.
In any new situation, whether it involves an elevator or a rocket ship, you will almost certainly be viewed in one of three ways. As a minus one: actively harmful, someone who creates problems. Or as a zero: your impact is neutral and doesn't tip the balance one way or the other. Or you'll be seen as a plus one: someone who actively adds value. Everyone wants to be a plus one, of course. But proclaiming your plus-oneness at the outset almost guarantees you'll be perceived as a minus one, regardless of the skills you bring to the table or how you actually perform.
Reading is a heady thing. You can be into the action of someone's thoughts and take a whole trip down someone's ruminations while seconds tick by in the world that they're in, but you can't really do that in film. Some films can, but not too much.
I have a request to make to Pawan Kalyan sir on behalf of all his fans. He will definitely succeed whichever field he chooses. But we fans can't bear it if he says he won't do films anymore. We will always be hopeful that he will do a film someday.
Detachment and involvement: the artist must have both. The link between them is compassion. It has taken me over fifty years to get a glimmer of what this means.
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