A Quote by Scott Derrickson

What everyone is always afraid of is the unknown, or the unfamiliar. You got to have a look for a character that is mysterious and menacing, and doesn't quite look like what we've seen before.
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.
For people who've never seen me before, some of my material is quite a surprise. I look like your sister or neighbour, and then I come out with something quite dark or shocking, and it's so unexpected.
I don't mind to look older. I don't have this urge that so many people have that they've always got to look young all their lives. I think you should be the age you are and enjoy it... But if you want to have it, go ahead and have it, but take a good look before you do because, just maybe, you look absolutely beautiful the way you are.
For me to put a look together, if it's going to be a boy look or a girl look or whatever, is quite a tricky thing to do. I'm not doing drag because drag is seen in a certain way and my comedy has got zero to do with what I'm wearing. I could wear an elephant suit and say the same thing.
I find it quite hard for me to pull off. It's so nice to have a tan and look healthy and glowing. I'd quite like to look like Karen Elson - she looks good pale. I feel like I look a bit washed out.
I used to look back at pictures and cringe but actually I'm quite proud that I've had fun with fashion and don't always look perfect. The only regret I have is when I look at something I wore when I was very young and it obviously looks like it belonged to someone else.
I'm not afraid to look stupid and I'm not afraid to look like I'm trying too hard.
When I look at a character, I never look at the size of the role. I always look at the whole person, no matter how much they're featured in the movie.
My dreams are always quite attainable, I wouldn't like to spend a lot of money on a car. I've got a mental block about splurging on something so visible like that. I could do it on a watch or something because that's quite personal and it isn't something that's on show all the time, but with a car everyone thinks you're a show-off. But one thing I would really like is a Ford Mustang - for me, that's the attainable dream. You look at it and you just think "F*** yes!" - you can hear an electric guitar solo playing in your head!
It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.
Aging in Hollywood sucks. There's always so much pressure to look way younger than you are, and everyone's watching! I'd like to embrace getting older, because it's kind of inevitable. The different, wiser me, to be at peace with how I look and I'm supposed to look - it's a work in progress.
Every day I hold my breath until I see her. Sometimes in class, sometimes in the hallway. I can't start breathing until I see her smile at me. She always does, but the next day I'm always afraid she won't. At lunch I'm afraid she'll smile more at BT than at me. I'm afraid she'll look at him in some way that she doesn't look at me. I'm afraid that when I go to bed at night I'll still be wondering. I'm always afraid. Is that what love is - fear?
I've got no problem whatsover with collar bars coming back in. I need to look a tiny bit older before I can dress like that the entire time - otherwise I'm going to look like I'm in 'Bugsy Malone.'
To look back and reflect on the career and sort of look at the seasons of it before I got to the WWF, working the territories and Japan and Texas, Puerto Rico, and then the WWF and WCW, then obviously the TNA years - it's been quite a journey, I'll say that.
I always look for the character that gets into your guts and tells you, 'You have to play this.' You have to be brave enough to let everything else go and let the character guide you. When I read a script, I look for that kind of pull.
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