A Quote by Scott Derrickson

We love bringing verisimilitude to audiences, hopefully having experiences you'll never have. — © Scott Derrickson
We love bringing verisimilitude to audiences, hopefully having experiences you'll never have.
My work happens to be singing, and I love bringing great songs to the attention of my audiences.
Despite having been awarded the dubious honor of arthood, all photography is still perceived as having one foot in the real world, a toe in the chilly waters of verisimilitude, no matter how often it is demonstrated that photographs can and do lie.
Machines have given us a new ability to count and make our understanding quantitative. The Web connects news gatherers with audiences in ways that were never possible before and can bring a breadth of intelligence, and experiences to understanding the news we never had. And professional reporters and editors still have a unique role to play in triangulating those inputs as well as bringing three other distinct skills - access to interrogate people in power, exceptional storytelling skills, and a discipline of open minded, skeptical inquiry - which are not as likely to be found elsewhere.
Whenever I wore it there were some questions whether the outfit was just too over the top. I'm like, "Do you know who you're dealing with here, and her eccentricities, her style, her flair?" These little things were sometimes those - I love it. I love having a real-life model. But I also do flush it out with my own personal experiences and my own essence, and hopefully they mesh together.
When I'm out having the experiences, that's exactly what I'm doing: having the experiences. Then I can later reflect and write.
Writing a novel is like an amusement park or a museum or a city. You go into that place and you have certain experiences and those experiences, hopefully, have some impact on you.
I have often felt that I cheated my children a little. I was never so totally theirs as most mothers are. I gave to audiences whatbelonged to my children, got back from audiences the love my children longed to give me.
The 'phenomenal concept' issue is rather different, I think. Here the question is whether there are concepts of experiences that are made available to subjects solely in virtue of their having had those experiences themselves. Is there a way of thinking about seeing something red, say, that you get from having had those experiences, and so isn't available to a blind person?
Every time I see the bumper sticker that says “We think we’re humans having spiritual experiences, but we’re really spirits having human experiences,” I (a) think it’s true and (b) want to ram the car.
Hopefully I'm bringing to rock n' roll the kind of spontaneity that I love, and always believed rock and roll stands for.
I never wanted to get married. I never thought that was in my cards. I always thought I was just going to be an independent woman my entire life. Hopefully having a partner but never getting married.
I love having fun and make people laugh. And that's my quality, which has been blessed by God and I love doing it, bringing smiles on the face of people.
If you make a good first film and audiences respond, than hopefully you'll have the opportunity to do a sequel.
And there's a lot of that stuff with people bringing their kids, kids bringing their parents, people bringing their grandparents - I mean, it's gotten to be really stretched out now. It was never my intention to say, this is the demographics of our audience.
All archaeologists in Israel and Palestine make use of the New Testament Gospels. They do this because the Gospels exhibit verisimilitude. In short, the Gospels help archaeologists know where to dig and they help archaeologists understand what they unearth. The 2nd-century Gospels and Gospel-like writings rarely exhibit verisimilitude, so archaeologists rarely appeal to them.
All we try and do is make the best films we can. If you do that then hopefully the audiences will come, and they have. Everything else is gravy.
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