A Quote by Scott Derrickson

The more frightening and sort of dark and oppressive a movie is, the more free you are to explore the supernatural and explore faith. The two just somehow go hand-in-hand really nicely.
I've been to Japan but I've never been to China, I'd love to go to China. I don't know, I like to go to places that are remote. So, I think I'd like to do that more. And just sort of also explore not having a structured work life someday, to have more free time to sort of see what happens.
In Buddhism, both learning and practice are extremely important, and they must go hand in hand. Without knowledge, just to rely on faith, faith, and more faith is good but not sufficient. So the intellectual part must definitely be present. At the same time, strictly intellectual development without faith and practice, is also of no use. It is necessary to combine knowledge born from study with sincere practice in our daily lives. These two must go together.
For me, it's just a normal artistic endeavour to explore the dark side. Certainly, I'm not alone in it. Artists generally don't like to accept the version of reality that society and culture hand them. They want to know what's really going on. So you're always looking in the ceilings, under the floorboards and behind the walls, trying to find the mechanisms, the structures, and the truth. I find that often leads you into some dark places.
When I was a child, I wanted to... go into space! To go to Mars. I wanted to explore and explore and explore. I wanted to go to the Lost World in South America - I was heartbroken to discover there were no dinosaurs; I still don't accept it.
What 'Short Term 12' did was it gave me the confidence to explore my intuition more. The healing process that came for me for making that movie and then sharing it with people - I was able to see, first hand, that movies can have a healing power and they can teach us things.
The dramas for me allow me to explore more behavioral, deeper psychological things. But the comedies obviously allow me to explore the idea of really working off other people. I'm having more fun doing that.
The history of exploration across nations and across time is not one where nations said, 'Let's explore because it's fun.' It was, 'Let's explore so that we can claim lands for our country, so that we can open up new trade routes; let's explore so we can become more powerful.'
I wanted to explore cancer not just biologically, but metaphorically. The idea that tuberculosis in the 19th century possessed the same kind of frightening and decaying quality was very interesting to me, and it seemed that one could explore the idea that every age defined its own illness.
I want to explore a new place each year, and it can be within India. When I was shooting for 'Mohenjo Daro', I couldn't travel out of the country for two years. But it gave me an opportunity to explore new places within India. I'm sure there are so many places to explore in India, and I would love to go there.
I'm becoming more and more confident and am falling more and more in love with the whole world of comedy, and I think that's something that I really want to explore a lot more.
We're living history all the time, in the papers, in the news, you think about stuff and it goes into your brain and you think about it and it comes out somehow. You have an idea; you've heard a phrase, or you're angry, or something disturbs you, or something seems paradoxical to you, you explore that idea, much like a writer would explore maybe an idea through metaphor. Maybe artists use their vehicle to explore ideas, so I think the things that interest me are the kind of idea of continuous change and how nothing stays the same and it's always disintegrating into something more.
The more ideas one is free to explore, the more likely a truly creative idea can emerge.
As an actor, of course it's exciting to go and explore characters. It's exciting to explore human psychology and relationships, and that's really the drive, at the end of the day, for me.
In thinking about it, the villains often have a little bit more range because their morality is different. You can have just a really good time as an actor, and there is just more there that you can explore on that side of the story.
The more you focus on connection the more free you are on one hand and the more free you can be because the child does feel authentically connected to their destiny.
These have been the most successful years I've ever had. I've been placing well in the contests but more importantly I've been enjoying them. I think those two things go hand-in-hand.
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