A Quote by Scott Ellis

The theatre show-biz types don't change much, no matter what era we're in. The question of how you balance being in show business with your personal life isn't very different.
Definitely for me, my personality, having children was a definite sea change. I found it very, very hard to balance show business and being a dad. The narcissism of show business and the complete, total focus of it was very difficult.
I'm much more aware of how distraught my father could be internally. That was normal to me - the obsession with work, the crazy hours - and when I watch it on screen I really see how enveloped he was by show business to the point where he didn't develop much of another life. Everything was show business to him.
Cabaret is a much more up close and personal experience, which I enjoy very much. This is a tremendous difference to being in a large theatre, doing a book show, where there is more separation. But both have equal importance.
People get sucked into being so show-bizy. I mean this is show biz, but I just can't do anything that's not in my DNA.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
I get on with actors, and when I'm doing a theatre show, it's great being with them all the time. But we're all alike, and it's much nicer being with people who are different.
I'd still like to see 'Survivor' minus the planned show-biz parts. That would be the purest form of show business - I want to see someone so hungry that they eat somebody else's foot.
There is no business like show business, Irving Berlin once proclaimed, and thirty years ago he may have been right, but not anymore. Nowadays almost every business is like show business, including politics, which has become more like show business than show business is.
I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.
My parents were both in show business. My father was an actor, my mom an actress, and both singers, dancers and actors. They met in Los Angeles doing a play together and so I grew up in a show biz family.
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
There is no question that everybody who works in show business is lucky because of the number of people who wish they where working in show business.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
Congress always gets new blood. You have to balance that with people who know what's going on. It's no different than a business, it's no different than your personal life.
Your billion-dollar ideas don't show up in the middle of dramatic distraction. They show up when you have the business and personal discipline to make space for your creative mind to flourish.
Hosting a show, even a talk show or a game show, there's so much business you have to conduct. There's so much guiding you have to do.
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