A Quote by Scott Ellis
As an actor, you don't have control over what you do, whom you work with.
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My career after 'Life Unexpected' took a really big dip, and I realized you have no control as an actor over the process of going to work.
I have no control over what people call me. The only thing I have control over is my work, and that's really all I can be judged on.
An actor who's a control freak, that doesn't work. We have to be malleable. We cannot come in and try to control or dominate.
I have less control over how I'm cast and the jobs that I get than people would imagine. Most of us don't have control over that, but I think it's a preponderance of your body of work.
Control what you can control. Don't lose sleep worrying about things that you don't have control over because, at the end of the day, you still won't have any control over them.
There's nothing that's in an actor's control. I've learned at this point you do things and you let them go. There's no way to control the outcome. The only thing I have any sort of reign over is my own experience.
The less control people had over their work, the higher their blood pressure during work hours. Moreover, blood pressure at home was unrelated to the level of job control, indicating that the spike during work hours was specifically caused by lack of choice on the job. People with little control over their work also experienced more back pain, missed more days of work due to illness in general, and had higher rates of mental illness-the human equivalent of stereotypies, resulting in the decreased quality of life common to animals reared in captivity.
People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
Over time as an actor, your life with a project can be so short lived because you come on, you do it, and then you're done. You have no control, no say, and all of a sudden there's all of this distance between the work you've put into something and the product as you see it appear on-screen.
Theatre is an actor's medium. An actor has little control over a film. Which is why most actors who have done theatre, and then come to films find the former more creatively satisfying.
The stage gives you more control over your own work; in television, there's a distressing amount of communal writing. Unless it's your show, you have no control over that. You're at the mercy of whoever's running the show.
In a cricket career, your life is in some ways controlled for you. You have no control over schedules, you have no control about where you want to play, you don't have control over that as a cricketer.
Giving people some kind of control over what they do is important. Human beings don't do their best work under conditions of control.
One of the things I've learned over the years is that you only do what you can do as an actor. You do the best job you can, but you have no control over so many elements that are going to determine the outcome of that film. I never pay attention to what happens after.
Only a good actor has an edge over a weak actor. A hardworking actor has an edge over a lazy actor. Nationality has nothing to do with it.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
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