A Quote by Scott Speedman

I would love to do a big movie - a 'Marvel' movie. — © Scott Speedman
I would love to do a big movie - a 'Marvel' movie.
I would love to do a big-budget movie musical - I feel like there is one big musical movie a year. And I'm always there at the theater to see them - I love them.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.
I'd love to do something at Marvel, but I don't think I would do a seven-movie deal. That's a bit too much for me.
Whether it be in a small movie or a big movie, I would always be attracted to this role.
I'd love to make a movie with Tom Hardy. If we ever got the chance to make a Venom movie together, that would be super-cool, but his movie would have to take place in the MCU because I'm not giving up my ticket in the MCU.
I'd love to do a Marvel movie.
I remember when I did 'Mrityudand' there was this big hoo-ha, and people were asking me why I was doing an art movie, and I would just tell them that, 'You know, what's the big deal, it's a movie.' I'm so glad that's a thing of the past.
I remember a lot of conversations where I was constantly hearing, 'You've gotta do this movie so you can do that movie. You've gotta make a big movie so you can make a small movie.' But I can't act like that.
I also love horror movies; I like me a big Peter Berg action movie. I'm a movie lover in general.
[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.
'Shall We Dance?' takes a small, exquisite Japanese movie and turns it into a big, stupid American movie. Still, it must be said that as glossy and overproduced as the thing is, it's a good big, stupid American movie.
If I was in some Marvel movie and made all that Marvel money, you wouldn't see me ever again.
Marvel has, like, 9,000 characters. They could do a horror movie tomorrow and call it Marvel. They can do anything.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
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