A Quote by S.E. Cupp
Time's Up is finally, it would seem, activism with some teeth. It isn't perfect, however. One of the first acts of protest - urging celebrities to wear black to awards shows - reveals a worrisome willingness to keep lunging toward those lazy, meaningless and empty gestures that cheapen the seriousness of an issue.
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In the midst of global crises such as pollution, wars and famine, kindness may be too easily dismissed as a 'soft' issue, or a luxury to be addressed after the urgent problems are solved. But kindness is the greatest need in all those areas - kindness toward the environment, toward other nations, toward the needs of people who are suffering. Until we reflect basic kindness in everything we do, our political gestures will be fleeting and fragile.
When art seems to be empty of meaning, as no doubt some of the abstract painting of our own day actually does seem, what the painting says, indeed what the artist is shrieking at the top of his voice, is that life has become empty of all rational content and coherence, and that, in times like these, is far from a meaningless statement.
Rather than empowering all, consumer and shareholder activism gives greatest voice to those with the most money in their pockets, those who can switch from seller to seller with relative ease. Consumer and shareholder activism is a form of protest that favours the middle classes, an outpouring of the dissatisfaction of the bourgeoisie.
I feel like my shows have always been a place where people can wear and be and seem however they want, and it's a heartening event.
The black fist is a meaningless symbol. When you open it, you have nothing but fingers - weak, empty fingers. The only time the black fist has significance is when there's money inside. There's where the power lies.
I've done what people have been urging me to do for quite some time. I have finally gagged Piers Morgan.
Well, protest is central to the evolution of black American culture. It was protest that really finally won our freedom for us. Beyond that, it's always interesting to note that it expanded the idea of democracy.
In the age of activism that is clearly not going away, it would seem that some form of engagement from directors with shareholders - rather than directors simply taking their cues from management - would go a long way toward helping boards work on behalf of all shareholders rather just the most vocal.
Aim for the high mark and you will hit it. No, not the first time, not the second time and maybe not the third. But keep on aiming and keep on shooting for only practice will make you perfect. Finally you'll hit the bull's-eye of success.
One motivation for the 'Soul Train' awards was the grumbling that all of us in the industry have heard about the way black music tends to be viewed as a secondary phenomenon by the other awards shows.
The spirit listens only when the speaker speaks in gestures. And gestures do not mean signs or body movements, but acts of true abandon, acts of largesse, of humor. As a gesture to the spirit, warriors bring out the best of themselves and silently offer it to the abstract.
The hero is known for achievements; the celebrity for well-knowns. The hero reveals the possibilities of human nature. The celebrity reveals the possibilities of the press and media. Celebrities are people who make news, but heroes are people who make history. Time makes heroes but dissolves celebrities.
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
I feel like I wear kind of the same things on stage that I would wear every day, unless I'm being lazy, and then I just wear trackies. But actually, if I'm honest, I wouldn't really walk down Kilburn High Street in a leotard, and I would wear that onstage.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
The way a source strains toward the light, toward the air. Its laboring work, its effort, its black passageways like despair. That’s the way a poet looks for words. With muscles, gestures.
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