A Quote by Sean Baker

It feels dangerous when people say, 'Oh, Sean Baker focuses on marginalised people.' And offensive. As if I'm standing there with my planner thinking, 'OK, where's the next marginalised group I can make a movie about?'
The US empowered the Shi'a Islamic political groups and marginalised a big part of Iraq who were recognised as Sunni people. It was only to be expected that the next step would be for the sectarian religious dynamics to surface, for one religious group to be fighting another religious group.
My family are so proud of me for standing up for marginalised people in nerd communities.
I'm trying to make something every time that feels new and surprises people. Hopefully at least one person. But it's not like I turn it off. I don't make a movie and then go back to my normal life. When I'm finishing one movie the next day I'm thinking about the next one.
If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
I would guess that the typical profile of a 'follower' is someone who is young and who feels marginalised, empty and pointless. They don't have an inner life.
In the case of 'Everything I Never Told You,' my goal was to make the experiences of a family that had always felt marginalised feel accessible and understandable even to people who'd never been in that situation.
Politics also reflects the fault lines in our society, and the fact is that it is not very easy for any marginalised group to come forward in any domain.
Historically marginalised people - by gender, race or nationality - aren't willing to be silent any longer on the crimes of the past and the continuing misrepresentations of historians.
Even as a fan, as someone who's into his performances, the Stooges and his own stuff, Iggy [Pop] is one of the people who kept underlining something that a lot of my older musician friends with punk roots say: you get into this space in your life where you feel like a weirdo, you're marginalised, you don't fit in... and then you can get up on stage in front of people who probably hate you.
Any time you make an analogy to horrific people in history, Mussolini or Hitler, people say, 'Oh, you're exaggerating, you're talking about, it's hyperbole.' Maybe it is. ... But I would say is that if you are not concerned that democracy could produce bad people, I don't think you're really thinking this through too much.
People always say, "What do you want to do next, what kind of movie do you want to do next?" And I say, "I wanna do whatever script that is the best one that comes my way." I certainly would never say, "Oh, I'm gonna do a Western next," and sit around waitin' for a Western to come along when there's some other genre's brilliant script sitting right there.
Crocker's Rules didn't give you the right to say anything offensive, but other people could say potentially offensive things to you, and it was your responsibility not to be offended. This was surprisingly hard to explain to people; many people would read the careful explanation and hear, "Crocker's Rules mean you can say offensive things to other people."
My fear in converting it to 3-D is that people will say, 'Oh, it's the 3-D 'Clash of the Titans.' No, it's 'Clash of the Titans,' the movie, and then, on top of that, you have the 3-D conversion. The 2-D movie works as well as the 3-D movie. I want to make sure that people like the 2-D version.
I don't think they'd ever make a movie about Chuck Baker but I'd love to play Chuck Baker.
I don't think they'd ever make a movie about Chuck Baker but I'd love to play Chuck Baker
We need women in cinema to know first that they have a safe space to open up about their struggles without being judged and marginalised.
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