A Quote by Sean Baker
Most filmmakers, if not all, come from a place of privilege, if only because of the expense.
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I've been taught that human nature is such that the place of privilege most often and most naturally leads to a sense of entitlement. The notion that I deserve to be treated as special because I'm privileged. The truth is, privilege should never lead to entitlement.
I knew that the world around you is only uninteresting if you can't see what is really going on. The place you come from is always the most exotic place you'll ever encounter because it is the only place where you recognise how many secrets and mysteries there are in people's lives
The only privilege literature deserves - and this privilege it requires in order to exist - is the privilege of being in the arena of discourse, the place where the struggle of our languages can be acted out.
How about mandated parental leave.? Oh, okay. Less than 20% of companies in America have it. Most of them think about it as an expense. What's the bigger expense? The bigger expense occurs if women have babies and don't come back to work.
If you look at the most meaningful science fiction, it didn't come from watching other films. We seem to be in a place now where filmmakers make films based on other films because that's where the stimuli and influence comes from.
If your white privilege and class privilege protects you, then you have an obligation to use that privilege to take stands that work to end the injustice that grants that privilege in the first place.
The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
The amiable is a duty most certainly, but must not be exercised at the expense of any of the virtues. He who seeks to do the amiable always, can only be successful at the frequent expense of his manhood.
I don't try to make a place in history at all! People put me in the history of cinema because my first film, La pointe-courte, was so ahead of some other filmmakers. Many filmmakers have made resurgent work, and I was just a little ahead of the time.
What I would say to filmmakers, if I may be so bold or so arrogant, is to draw inspiration from other filmmakers, but go to the place in your own gut where everything is nothing. That's a very Zen thing to say, but that place of nothing is where real creativity comes out of.
I like to work with artists from around the world. There are so many new inspiring filmmakers. I had the privilege recently to work with Ethiopian filmmaker Zeresenay Mehari and his wife on the film Difret. They are that unique balance of very thoughtful conscious filmmakers who are also brilliant, original artists.
I wanted to make a place for filmmakers and artists to come and 'do their stuff,' but I didn't expect it to have had the impact that it has.
The true price of leadership is the willingness to place the needs of others above your own. Great leaders truly care about those they are privileged to lead and understand that the true cost of the leadership privilege comes at the expense of self-interest.
Male filmmakers only need to tap their female selves in order to develop their female gaze as many great filmmakers have done. But why is it important to do so? Because the world has been run by aggressive males and landed itself in a fine mess.
Throughout Ireland, there's a brilliant community of filmmakers and actors, and I guess there was always a lure to do some work in the place where I come from.
I'm influenced by a lot of filmmakers; I like English filmmakers because I feel a kin to them.
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