I have a feeling that I might even disappoint some people by staying in this two to three million range and continuing to make character-driven stories.
What I like in comedies are really two things: stories that are character-driven and stories that are rooted in authenticity.
Live long enough and you'll disappoint everyone. People think you're able to help them and usually you can't. And so it becomes a process of choosing the one or two people you try hardest not to disappoint. The person in my life I am determined not to disappoint is you.
My key interest in choosing scripts is character-driven stories, because there are so many stories that sacrifice character for plot.
A lot of times I'll make films that are mostly character-driven films - stories that involve people. Like, I make the joke: I like to make movies about human beings that live on Earth.
You might have a million people in the city that love you. But it only takes one or two or three guys to hate on you and change your whole life.
The great thing about television is that you get to tell, like with "The Walking Dead", 16 hours worth of character-driven storytelling in less time than it takes to make a feature film. So, it really is a medium at least for storytellers who are passionate about not only the genre but also the character-driven genre stories. It's probably a better medium.
We've never had a giant circulation. And we've always been a magazine for writers and for sophisticated readers. We've never had to run stories that would appeal to a million people. And what you end up with is a kind of tradition that might have staying power - the cockroach after armageddon.
For me, staying in place might mean staying with my own thoughts, even if the body keeps traveling. I might be experiencing new things, but I'm also here, with myself.
We work pretty fast. I might be working, and I might knock out two, three songs. Quavo might come in two, three himself. Offset might come and do the same.
The ability to stretch my range into all genres and characters is something I take great pleasure in doing. I thoroughly enjoy it. I consider myself a character actor, though some think of me as a leading man. As an actor, I love shifting gears from character to character, and the more range I can expand, the better.
Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.
For a million dollars, the Russians would take two people, a million apiece, around the moon and back. However, stories, videos that come from the space station, and other people, are a great inspiration to young people for an exciting career field.
Even Republicans seem to think that these undocumented Democrats could be made [GOP] voters...and what happens is that two out every three that would be legalized [and] become Democrats. And it's not 12 million. It's more like 20 million...But it isn't just the equation of 2/3 of over 20 million that will vote for the guy who opposes our conservative candidate whoever that might be, but it's also those who will leave us if we fail them...We have to go back and tie together and restore the pillars of American exceptionalism and the rule of law is essential.
I'm feeling better every race; it's just about staying in it and continuing to push to learn, and I don't doubt it will come.
One million, two million, three million seems like a lot of money. But if you spend $80,000 a month, it's really nothing.
I might say this, that the problem of the, the solution for the Afro-American is two-fold - long-range and short-range.