A Quote by Sean Baker
'The Little Rascals' was set against the background of the Great Depression: the characters were living in poverty. It's just that it wasn't focused on it. It was focused on what makes childhood universal. We're all laughing at kids because we see ourselves in them; we remember our childhood.
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Most of the characters in 'The Little Rascals' were living in poverty, but they decided to focus on the joy of being a kid: the humor, the heart, the resilience.
The one thing about kids is that you never really know exactly what they're thinking or how they're seeing. After writing about kids, which is a little bit like putting the experience under a magnifying glass, you realize you have no idea how you thought as a kid. I've come to the conclusion that most of the things that we remember about our childhood are lies. We all have memories that stand out from when we were kids, but they're really just snapshots. You can't remember how you reacted because your whole head is different when you stand aside.
We are all regionalists in our origins, however 'universal' our themes and characters, and without our cherished hometowns and childhood landscapes to nourish us, we would be like plants set in shallow soil. Our souls must take root - almost literally.
My childhood dreams were focused on being part of the effort to make humanity a multiplanetary species.
I feel like I had as normal a childhood as anyone, but it had a certain focus. Maybe other kids focused on sports.
It was a great place to grow up. There were always kids around in our neighborhood. We had a basketball hoop in the back of our house, a little front yard where you could get touch football games going. I know you think of it as a big city, but it was fun for me to grow up in New Orleans. I remember it as a very normal childhood.
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]
Building and tinkering were such a huge part of our childhood, whether we were trying to entertain ourselves as kids, helping our parents out on the ranch, or getting creative with school projects.
The magic of childhood is the strangeness of childhood — the uniqueness that makes us see things that other people don't see.
People talk about fantastic memories of childhood, but I remember children being cruel to me and wanting to come out of childhood as soon as possible because I knew adults were generally more contained in their cruelty.
I think most of us can remember from our own childhood, just in the Disney cartoons, things that frightened us profoundly. For me it was Bambi, the scene when the forest was on fire. That was something I had nightmares about. I can't imagine being a little kid of eight and seeing Night Of The Living Dead with living corpses eating the flesh of living people.
There are multiple ways to be externally focused that are very successful. You can be customer-focused or competitor-focused. Some people are internally focused, and if they reach critical mass, they can tip the whole company.
The books of our childhood offer a vivid door to our own pasts, and not necessarily for the stories we read there, but for the memories of where we were and who we were when we were reading them; to remember a book is to remember the child who read that book.
Well, you can do whatever you want, but just don’t call it inequality. Put the word poverty there. Because we have many rich people on our board, and when they see the word poverty that makes them feel good, because [it means] they’re really nice people who care about the poor. When they see the word inequality it makes them upset, because [it means] you want to take money from them.
If you don't remember childhood and you idealize it, you can't write books for kids because they're not real. Kids pick that up.
Childhood is just this amazing place, and in my books, I was trying to express my concern about childhood being eroded. You have kids' TV programs being interrupted by terrorist attacks, and kids are exposed to so much these days.
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