A Quote by Sean Baker

From a filmmaker's point of view, there is something undeniably cinematic about a location like Santa Monica Boulevard, which is so chaotic and busy and over-stimulating.
I worked in this bar called the Raincheck Room in the '60s; it used to be over on Santa Monica Boulevard, and, y'know, it was a pretty hip place. Lots of actors hung out there.
One day in '61, I was looking in the Santa Monica phone book for a number, and there it was: Stan Laurel, Ocean Avenue in Santa Monica. I went over there and spent the afternoon with them. And pumped him with questions. I must have driven him crazy. I spent a lot of happy hours at Stan's house on Sundays just talking about comedy.
One of my first bartending gigs was on Santa Monica Boulevard at Doug Weston's Troubadour, a very famous live music venue.
When I was a kid out here in L.A., I was homeless, I didn't have any money and I was living in my car. I wasn't averse to going down to Santa Monica Boulevard and letting a guy buy me a sandwich. Know what I mean?
I feel like I've been observed as an individual more than a gay person, or as a filmmaker with a certain point of view rather than a lesbian filmmaker with a gay point of view.
As a filmmaker, I always took my inspiration from a filmmaker named Marcel Ophüls, who said, "I always have a point of view, but the trick is showing how hard it is to come to that point of view."
When Arnold Schwarzenegger vetoed the same-sex marriage bill, my blood was boiling. I had been silent, but that night, Brad and I watched the news and saw all these young people pouring out on Santa Monica Boulevard venting their rage, and I said, 'I have to speak out.'
I'm from Santa Monica, which was an awesome place to grow up. You're very spoiled being from California. When it's below 70, you complain. When it rains, you talk about it.
I had been pulled over quite a bit by police officers, especially in Santa Monica and Culver City.
If you want the film [La La Land ] to represent all things jazz, it does not. You'll be disappointed by that. But, if you just see it as one guy's point of view, one filmmaker's point of view, and one story among many stories that can be told about jazz, then it's not as much of an issue.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
I knew I had to be on stage. I always felt like there was something bigger and better for me. If not that, I would be a hair stylist for sure. I almost enrolled at Vidal Sassoon hair academy in Santa Monica.
I love Santa Monica and Venice because I like the beach. I have a lot of friends in that area.
I live on the Santa Monica Beach and bike up and down almost every day. I like exercise, and I like literature a lot and plays and things like that.
[T]he more clamour we make about 'the women's point of view', the more we rub it into people that the women's point of view is different, and frankly I do not think it is -- at least in my job. The line I always want to take is, that there is the 'point of view' of the reasonably enlightened human brain, and that this is the aspect of the matter which I am best fitted to uphold.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
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