A Quote by Sean Durkin

Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things.
Although goal setting can clearly be overdone, only a few people are overly involved with goals and goal setting; most people do far too little goal setting, including the reflecting that precedes the setting of such goals. Too many marriages have financial goals but not other explicit goals. Yet the gospel is certainly goal-oriented.
People in politics tend to spend far too much time on higher profile issues affecting few people and too little time on such basic processes that affect thousands or millions and which we know how to do much better.
I'm a really anxious person, so I tend not to keep secrets. I tend not to even want to hear them. It's too nerve-wracking for me to try and keep things from people.
My bad head cannot adjust itself to the way things are.... If I want to depict spring, it has to be in wintertime; if I want to describe a beautiful landscape, I must be enclosed within walls; and I have said a hundred times that if I were put in the Bastille, there I would paint a picture of liberty.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
Maybe [Iceland] could be sort of a testing ground for solutions because we are few and because we are really a tech-oriented nation. Everybody is a gadget freak. We spend a lot of time indoors.
I have trouble describing my own style, since it's sort of like describing my own eye color or something.
I think when we were developing Season 1 - and to Netflix's credit, they sort of pressured us to make sure we had this mythology really hammered out - we had like a 25-page sort of 'Stranger Things' mythology that only maybe a small handful of people have seen.
Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
For the long-limbed trees and watery landscape of Vancouver Island, read Hundreds and Thousands. Setting aside, who can resist a woman who lived in a caravan in Goldstream Park with a pack of dogs and a monkey and shunned the human race except to attend her own art openings? Only a genius could both paint and write my/her home.
Most people are hurt deeply by betrayals in relationships. It might be better to really get up against and sort of contact that caring, and maybe take a more loving stance even with your own pain, and keep your feet moving towards what you really want, because the cost in terms of intimacy and connection and caring that comes when you try not to be vulnerable, when you're constantly looking out for betrayals of trust, is too great. It makes it very hard to have relationships of the kind that you really want. One, look where the pain is. Flip it over; you'll find that's where the values are.
On acoustic guitar I tend to stay in the key of D for some reason. On electric guitar I keep basic: C, G, D, and A. The key of D minor is also real good for me.
A book is something that young readers can experience on their own time. They decide when to turn the page. They'll put their arm right on the page so you can't turn it because they're not ready to go to the next page yet. They just want to look at it again, or they want to read the book over and over because they really enjoy setting the pace themselves.
I'm always trying to find that role that will allow me to stretch and play a lot of different sides, but it's hard. To be frank, as an actor, I read maybe a hundred scripts a year and I really strongly respond to probably two, but every other actor in town responds to those two scripts, as well. It's hard to land those roles that are really good because they're coveted. That's why I try to create for myself, and that's why I've been doing things outside of acting, like writing and producing. I try to not have to depend on other people so much.
I've got my eye on a few things to spend my money on. I've got my own bank card but I am really good with money. I don't spend too much at all.
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