A Quote by Sean Durkin

When you write, no matter what, it ends up personal. — © Sean Durkin
When you write, no matter what, it ends up personal.
I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.
I always try to write the best song I can in the moment, and those songs are often going to end up on Death Cab for Cutie records. I don't set out to write a solo song or write a band song. I just write, and where that songs ends up is kind of TBD.
It's always good to bat at the top, where you get more opportunities, but sometimes crucial 30s and 40s can be very helpful for the team. Ultimately it is a team sport. Personal records don't matter much if your team ends up on the losing side.
I know, speaking for myself, no matter what I'm able to do, no matter what book comes out and ends up on paper, I always had something bigger and grander in my head.
I write about what I want to write about, and so the film comes out as a very personal expression even if its subject matter is totally prefabricated.
What I write is very personal, but not autobiographical. It's more 'thematically personal' - what's up in my life in terms of themes at the moment.
When I write music, I know a lot of artists like Taylor Swift or Ed Sheeran tend to write from personal experience. I write from personal experience, of course, but I don't limit myself to that.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people.
In the collaborative process, you create a real intimacy; everybody ends up sharing personal stories and personal observations and their philosophies, their psychological side. By the time you get to set, it just creates such a sense of trust and intimacy between the director and the actors. It's really, really great.
Getting up for sadhana in the morning is a totally selfish act - for personal strength, for personal intuition, for personal sharpness, for personal discipline, and overall for absolute personal prosperity.
I write very personal songs. Subject matter is usually derived from some internal struggle that I am having.
This is just a personal thought, but there's a lot of things that people can't do because of COVID-19. I think that it would be nice to write or express the first thing we want to do after COVID-19 ends.
It seems to me virtually any ideology, no matter how intrinsically benign, can be used to oppress. And any group with power, no matter how well-meaning, ultimately corrupts and ends up exploiting its advantage to some extent.
I write synopses after the book is completed. I can't write it beforehand, because I don't know what the book's about. I invent something for my publisher because he asks for one, but the final book ends up very differently.
No matter which word it is, when I pronounce repeatedly, it ends up sounding utterly ridiculous and meaningless to me.
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