A Quote by Sean Mackin

I would definitely write to the kid that I was before, to embrace the moment. I think that often times when you're coming of age or growing up you look forward and you work really hard instead of sitting back and relaxing and enjoying the moment.
This time, we're living in such a crazy moment in history. People still write and talk about Watergate, which was such a huge, looming backdrop when I was coming of age and when I was a kid growing up. I think we're living in one of those times right now where, in 20 years, people will be writing and talking about it.
I offer gentle understanding to myself. I position myself in love, not fear. I look behind me with forgiveness. I look forward with festive anticipation. I embrace this holy moment and assert, "Now. This moment is the moment to love, the moment to serve, the moment to seize the legacy instead of the small. Now. Now I will live large, love boldly, reach to the edges of my unfurled heart and fully enrolled hope."
I always write to the moment. I've always been that kind of emcee. I don't wanna come in with all the paperwork and all o' that or whatever. That's good when you just an emcee from off the block that really don't have to work as hard as the next man. But when, you know... Y'all make me write like this, from, I guess, me makin' a classic and everybody callin' my stuff classic material - that makes me have to work ten times harder. But a lot o' times things just happen at the moment for me: spur o' the moment. That's just how it goes sometimes.
I think pain is a very - it's an extremely hard thing to empathize moment to moment. And you often don't remember your own pain, you know, that moment that you broke a limb or you burned yourself or, I think, this is a common thing that women talk about with childbirth, that the memory of the pain is hard to summon up and relive, thankfully.
When I look back, I don't have regrets. In the moment I am really, really hard on myself, I'm definitely my own worst critic and can be my own worst enemy, and I'm trying very hard not to be that.
It definitely can be really hard being away from friends and family for so long. People expect you to be different when you come back. But I love it, I love coming home. I really want to start coming back here more often ? its so fun.
I think it's cool to do a summer outdoor show because, growing up, like, those were always the shows and the concerts that I would get to see, where I would be sitting on the grass with my friends and hanging out, and it was such a moment.
I always wondered what it was like to be just a normal kid growing up in trying times or during a great moment in history.
I'm not pushing myself forward in denial of the moment. I'm pushing myself forward and enjoying every moment voraciously. I'm thinking about the next thing but not at the expense of the present.
In playwriting, you've got to be able to write dialogue. And if you write enough of it and let it flow enough, you'll probably come across something that will give you a key as to structure. I think the process of writing a play is working back and forth between the moment and the whole. The moment and the whole, the fluidity of the dialogue and the necessity of a strict construction. Letting one predominate for a while and coming back and fixing it so that eventually what you do, like a pastry chef, is frost your mistakes, if you can.
I've flown in space four times now, so it's going to be hard in that respect, but I certainly look forward to going back to Earth. I've been up here for a really long time and sometimes, when I think about it, I feel like I've lived my whole life up here.
There is no better moment than this moment, when we're anticipating the actual moment itself. All of the moments that lead up to the actual moment are truly the best moments. Those are the moments that are filled with good times. Those are the moments in which you are able to think that it is going to be perfect, when the moment actually happens. But, the moment is reality, and reality always kinda sucks!
I would be an actress for the rest of my life just because it's really relaxing. Writing is hard work, and stand-up is so stressful before you get on stage, but acting is a complete ensemble experience.
When you write a novel or paint a picture, you have the opportunity to approach it and back off, tear up pages, write, rewrite, paint over, and come back to it. In film, once you start shooting, you can't restart the clock, and you keep moving forward, and you don't look back, and you don't go back. And that is, of course, antithetical to the creative process. It's really hard to generate a comfortable creative flow under that kind of pressure.
Time, which is so often an enemy in life, can also become our ally if we see how a pale moment can lead to a glowing moment, and then turn to a moment of perfect transparency, before dropping again to a moment of everyday simplicity.
Going back, I wish I could have been in the moment a little bit more. I can't change it, but hindsight definitely makes me appreciative of the moment now - even if it's hard, or exhausting, it's all a part of the experience.
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