A Quote by Sebastian Bach

My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years. — © Sebastian Bach
My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years.
There was something in the bel canto, not just opera, but a certain style of Italian singing that I responded to deeply.
Basically, there were three aspects of dub that influenced dubstep. The most important was playing the instrumental versions of vocal garage tracks, which was a little like what dub was to reggae - the instrumental of a full vocal.The second was dub as a methodology, which, for me, is apparent in all dance music: manipulating sound to create impossible sonic spaces using reverb, echo and such. The third is the influence of the genre called dub. (It became a cliché actually, through sampling old Jamaican films and soundtracks, and adding vocal samples.)
Chet Faker's a reference to the late Chet Baker. I'm a big fan of his vocal style; it's quite fragile and soft, and that was a style I wanted to take on.
I've been diagnosed with what's called vocal tension dysphonia. The muscles around my vocal chords kind of constrict my vocal chords from doing what they should do. It's kinda like being a body builder and you have muscles that are so large that they don't allow you to have flexibility, if that makes sense.
My style in Italian is very old-style.
I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.
I think my style as far as vocal delivery and even down to the pronunciation of certain words is so deliberate.
I was a young age, 16 years old, in Mexico. I traveled to these different countries, and I have the new style from Mexico and TNA. I wrestled two years in Florida, then back in Japan, and everything combined for a new style. It's different. I was looking for old school wrestling that looked new.
Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. There’s no how-to road map to style. It’s about self-expression and, above all, attitude.
My vocal style I haven't tried to copy from anyone. It just developed until it became the girlish whine it is today.
I love that [ late-50s Verve recordings] - to me, that's the epitome of vocal jazz. It's my favorite style and era of it.
The science of style as an organ of thought, of style in relation to the ideas and feelings, might be called the organology of style.
Harmonies come really naturally to me. I don't have to labor too hard over them. I'll sing a lead vocal, and then I will immediately have all of these other ideas for vocal harmonies. I think that some of the most fun parts of recording, for me, are the vocal harmonies.
I came up in the U.K., which is a very catch-as-catch-can style, and then I somehow ended up in Japan and spent eight years there learning strong style. I got to spend some time in Mexico learning the lucha libre style, and the WWE is a hybrid style of everything mixed together.
speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them.
My vocal ability is very limited, but I'm fortunate in that I can write the songs around my vocal limitations.
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