A Quote by Sebastian Lelio
I didn't know how I was going to deal with 'Disobedience' because it takes place in such a specific and often secretive world.
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I have a great support system and I know how to prioritize everything. I strive to keep God in every aspect of my life so that's important, because some days, it requires you to have a great deal of strength. Then, my family is second and it's in that specific order. I look around and I see how everything falls into place once you know which comes first.
The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
It means a lot to be in one place for my whole career. The minute I got drafted in Phoenix, I knew it was a place I was going to be for a long time. But we know in the sports world and life in general, you don't know where it takes you sometimes.
A great deal of it is personal. But the persona is, I guess, the out of body experience that takes place. Because I'm not conscious of what the outcome is going to be, I'm only conscious of my intentions, do you know what I'm saying? And even my intentions were simple initially.
I got this secretive, very secretive email from my agent saying, 'You have an audition for Marvel, no one's letting us know what the name of the film is, but are you available on this day? That's all we know.' And I went, 'OK, well, I think it will probably be 'Thor,' because Taika's got it.'
I try my best to confront situations because I know, at the end of the day, you can deal with it or it will deal with you. I've had enough experience to know that that's how it goes down. There's no going around it.
I think that's a legitimate thing we're going to have to deal with and ask ourselves, you know, how far Donald Trump can go in enacting certain policies that target specific groups.
I'm kinda secretive, and I can't even say secretive because of my son. He's the type, like, he doesn't let his friends know who his mom is or his stepdad. He doesn't like me going to his school. If he gets into trouble at school, he's, like, dying. He's very low-key with it. He's always been like that since he was born.
I'm not saying I'm going to rule the world, I'm going to change the world. But I guarantee I will spark the brain that will change the world. And that's our job. It's to spark somebody else watching us. We might not be the one, but let's not be selfish. And because we['re] not going to change the world, not talk about how we should change it. I don't know how to change it. But I know if I keep talking about how dirty it is out here, somebody's going to clean it up!
In the case of 'Disobedience,' the very secretive way of life and religion and tradition that the North London Orthodox Jewish community has was a huge invitation to explore an unknown world. And also a possible trap, and I tried to overcome that by portraying it, hopefully, with great nuance and detail and texture.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
Everything takes place in a season. There was a season when that's all I did was listen to the music. Now I'm just in a place where I don't listen, I create. And if I do listen there are specific things that I listen to, and for specific reasons.
We have to identify everybody that's here, and there's going to be an appropriate discussion in Congress on how to deal with an individual who has been here maybe for some long period of time. Amnesty is not on the table period. There will be no amnesty in the United States. We're a country of law and the idea that we're going to tell people that somehow or another that that's all forgiven is not going to happen. How we deal with them is a conversation. I don't know if I know all the answers. I want to talk to the American people.
In the end, it's extra effort that separates a winner from second place. But winning takes a lot more that that, too. It starts with complete command of the fundamentals. Then it takes desire, determination, discipline, and self-sacrifice. And finally, it takes a great deal of love, fairness and respect for your fellow man. Put all these together, and even if you don't win, how can you lose?
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
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