A Quote by Sebastian Lelio

I wanted to be a poet. I wrote from ages 15 to 22, but I left it because I discovered, and fell in love with, cinema. — © Sebastian Lelio
I wanted to be a poet. I wrote from ages 15 to 22, but I left it because I discovered, and fell in love with, cinema.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
The growing-up-fast part weirdly happened between the ages of 15 and 22.
I didn't read poetry seriously until college, when I really began to devour it in a very intense way. I also discovered that a poet is a maker. Before that, I thought a poet was someone who wrote about his own experiences.
Between the ages of 12 and 15, I wanted to be a pilot because I thought it would be glamorous and dangerous.
When I was 13, I started writing songs, and it fell into my lap all of a sudden. I wrote poems and journals, but that's when it switched for me to songwriting. That's when I wanted to do everything. It was like a fire all of a sudden. I started coming to Nashville and moved here when I was 15.
All human beings were of course unique, and they only discovered that when someone else fell in love with them or when no one ever fell in love with them.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
I do miss things about Britain. I think there was a misconception, there definitely was, that I left because of bad press, and being pilloried. I left Britain because I fell in love with someone who lived in Switzerland - that was the main thing.
At the age of 15, a teacher had asked me what I wanted to do for a career, and without knowing why or even how I replied that I wanted to be a poet.
As regards literary culture, it fascinates me that it has been so resilient to the Union. For example, when T.S. Eliot wanted to become poet in these lands, it wasn't as an English poet, it was an Anglian poet he wanted to be.
When I was seven-years-old I discovered the Spice Girls. I fell in love immediately, and I decided I wanted to be a musician myself. This became my goal and my biggest passion to strive for. And so I dressed up as a pop star at Halloween 1996.
The image of keys (plural) perhaps suggests not so much the porter, who controls admission to the house, as the steward, who regulates its administration (Is 22:22, in conjunction with 22:15). The issue then is not that of admission to the church (which is not what the kingdom of heaven means; see pp. 45-47) but an authority derived from a delegation of God's sovereignty.
The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true poet and of the Devil's party without knowing it.
Bob Altman got nothing from the TV series 'M*A*S*H,' and the royalties for the theme song went to his oldest son, Michael, who wrote it as a 15-year-old poet!
When I was young, I loved gymnastics, but I discovered when I was 15 that I wanted a teenage life.
I got married because I fell in love with this woman. I had a baby with her because we wanted to have children. But that's not because of some philosophical ideal at all, no.
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