A Quote by Sebastian Lelio
'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
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The certainty that she would find what it was she sought just slipped away, until one night she knew there was nothing, no one waiting for her. That no matter how far she walked, how carefully she searched, how much she wanted to find the person she was looking for, she was alone" - The Forgotten Garden
Look at Charlotte Gainsbourg, in the Lars von Trier film Antichrist. She's unbelievable. She doesn't act; she's there. She's great. And you love her for that, because it's so daring, what she has to do. And she does it as if it is nothing. I think she's brave. I fell in love with her when I saw that film. She is a revelation. Total revelation.
Every woman dreams of love. When she is young she prays she will find it. When she is middle aged she hopes for it and when she is old she remembers it.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
An old woman I loved very much when I was young - the wife of Jean Villard - she's just reciting poetry all the time, which is beautiful because it means she went back to the world of poetry that she loved when she was young. That's all she does - she almost doesn't recognize her children, but she recites Valéry and Baudelaire. So what? We're the ones who are suffering. She's not.
What I don't like about Guinevere is the fact that she can't control her passions and urges. She gets herself into quite a love triangle, and quite a web. Personally, I find that very difficult to relate to. But, it wouldn't be interesting, if she did everything right.
My mother was the greatest example to me of anyone I've ever known. She didn't have an easy life. I adored her. She worked hard all her life, and she was the one who set my values. She was quite an amazing woman, although she wasn't tough at all.
We're in a world where every single movie, if it has a woman in it, is usually wrapped around the woman wanting to be liked in some way, either in her life, or she's young, she's an ingenue, she's a hero, she's the lover of somebody, she's the grandmother, she's a chef.
My younger daughter really loves makeup. She's quite good artistically. I could see her going into something possibly behind the camera - whether it's in film or still camera for editorial stuff - but she's very taken with makeup, and she's really quite talented for as young as she is.
Kangana has started believing in her own myth. She says she taught feminism to the film industry, she taught it nationalism. I'm glad she spelled that out because nobody else had noticed! I think she fears the day when she will no longer be in the headlines and so has to keep making outrageous statements to stay in the news.
Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.
She was beautiful, but not like those girls in the magazines. She was beautiful, for the way she thought. She was beautiful, for the sparkle in her eyes when she talked about something she loved. She was beautiful, for her ability to make other people smile, even if she was sad. No, she wasn't beautiful for something as temporary as her looks. She was beautiful, deep down to her soul. She is beautiful.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
Love is an immortal wound that cannot be closed up. A person loses something, a part of her soul, when she loves someone. And she goes about looking for that lost part of her soul, for she knows that otherwise she is incomplete and cannot be at rest. It is only when she is with the person she loves that she becomes complete again in herself; but the moment he leaves, she loses that part which he has taken with him and knows no rest till she has found him once more.
Sophie has a gift," she said. "She has the Sight. She can see what others do not. In her old life she often wondered if she was mad. Now she knows that she is not mad but special. There, she was only a parlor maid, who would likely have lost her position once her looks had faded. Now she is a valued member of our household, a gifted girl with much to contribute.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
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