A Quote by Serge Ibaka

I was born in Brazzaville, the Republic of Congo, in 1989. — © Serge Ibaka
I was born in Brazzaville, the Republic of Congo, in 1989.
The Congo is really beautiful. People correct me and say, "Oh, you mean the Democratic Republic of the Congo." Well, fine. But, the land there, the landscape is extraordinary. It's big lakes and beautiful hills and trees.
I started, actually, as an analyst on African affairs, mainly on Al Jazeera. I remember the first few series were about Saudi students, and the negotiations between the government and the Sudanese rebels in the south. And then, slowly, I was speaking about Congo, Democratic Republic of Congo, Zimbabwe, Mozambique and a few other places.
I can't be calm when I drive through sections of Atlanta that look more like Kinshasa, Democratic Republic of Congo, than America.
In the Democratic Republic of the Congo, believed to have one of the highest rates of sexual violence in the world, girls and women face increased peril on the road to safety.
Many instances of persecution and killing have occurred in countries with atrocious human rights records such as Sri Lanka, Guatemala and the Democratic Republic of Congo.
The Democratic Republic of Congo was the most unbelievable place I have ever seen. Now, I'm not normally a massive fan of landscapes, but the country was just so so stunning!
We still have our people working in the cane fields in the Dominican Republic. People are still repatriated all the time from the Dominican Republic to Haiti. Some tell of being taken off buses because they looked Haitian, and their families have been in the Dominican Republic for generations. Haitian children born in the Dominican Republic still can't go to school and are forced to work in the sugarcane fields.
I chose Congo in order to become close to a place that we had turned away from. It isn't present in our imaginations, in the stories we tell each other. Yet it's relevant to our lives and to our worlds, in a practical way. Congo supplies raw materials for the things that we use on a daily basis. We are intimately linked to Congo, economically. We're linked to it through human events that are occurring there, that affect all of us, and yet you don't find narratives of Congo present in our lives.
One of the matters that must be addressed is that Rwanda and Uganda have to leave the Democratic Republic of the Congo. We're also supporting processes to ensure that the political dialogue among the Congolese themselves takes place so that the people there can decide their future.
The murder of Lumumba, in which the U.S. was involved, in the Congo destroyed Africa's major hope for development. Congo is now total horror story, for years.
I can't quite remember the exact moment when I became obsessed with writing a play about the seemingly endless war in the Democratic Republic of Congo, but I knew that I wanted to somehow tell the stories of the Congolese women caught in the cross-fire.
If I'd had a magic ejector seat when I went to Zaire, which is now the Democratic Republic of Congo, I would have pressed it multiple times. I felt totally out of my depth. I had no money and there was precious little infrastructure so I had to barter to survive.
I was born in 1989. I literally watched 'Rocko's Modern Life' on live television.
I don't feel old. Okay, maybe I do when I get in a conversation with Earl Thomas, who was born in 1989.
I go to play for Congo now and it's a reality check. You see how it is for some people and you don't take things for granted. A lot of the people in Congo, to get the opportunity that I have had, I don't know what they'd do.
At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.
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