A Quote by Sergei Eisenstein

Language is much closer to film than painting is. — © Sergei Eisenstein
Language is much closer to film than painting is.
Painting is... a richer language than words... Painting operates through signs which are not abstract and incorporeal like words. The signs of painting are much closer to the objects themselves.
The language of film is further and further away from the language of theater, and is closer to music. It’s abstract but still narrative. Everything feels less rehearsed. It’s more experimental than classical.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
The language of film is further and further away from the language of theater and is closer to music. It's abstract but still narrative.
In the mainstream film market, certainly in television, sex is handled fairly discreetly. I think the abuse of extraordinarily graphic violence and language presses much closer to the tolerance of public taste.
So I feel a responsibility to help first-time film-makers in Brazil, but also to increase the dialogue between film cultures which are really wonderful and so much closer to us than what we do see on our screens.
The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body.
On stage, you're not limited at all because you're free in language: language is the source of the imagination. You can travel farther in language than you can in any film.
I tried to find a language for the film - not just telling stories. I picked the Picasso painting because it said more than I could explain. I need images, I need representation which deals in other means than reality. We have to use reality but get out of it. That's what I try to do all the time.
In truth, factual information - names or dates - have never interested me much. Those things are like an alien language that can interfere with the language of the painting, or even prevent its emergence.
Australia will always be closer to the U.S. than she is to China because our values and political traditions are much closer.
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
The process of painting offers an infinite array of possibilities. The closer in unification to just one of those, the better the painting becomes.
By understanding a machine-oriented language, the programmer will tend to use a much more efficient method; it is much closer to reality.
Color is a language. It is the language of painting. How painting expresses itself is in large part with color.
That sculpture is more admirable than painting for the reason that it contains relief and painting does not is completely false. ... Rather, how much more admirable the painting must be considered, if having no relief at all, it appears to have as much as sculpture!
This site uses cookies to ensure you get the best experience. More info...
Got it!