A Quote by Sergio Leone
I had more trouble than I had a sense of utility or satisfaction. But it served to occupy me and to keep me occupied in a field that I love - which was cinema - while I was waiting to realize the film that I wanted to do, which was Once Upon a Time in America, which took ten years of thinking and working to realize.
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Whereas I think: I’m lying here in a haystack... The tiny space I occupy is so infinitesimal in comparison with the rest of space, which I don’t occupy and which has no relation to me. And the period of time in which I’m fated to live is so insignificant beside the eternity in which I haven’t existed and won’t exist... And yet in this atom, this mathematical point, blood is circulating, a brain is working, desiring something... What chaos! What a farce!
It took me a long time to realize that football isn't martyrdom, but a game that's enjoyable, and one in which getting better at it is supposed to be fun. Perhaps it would have been better if I had understood this as a young man.
I am confident in saying that Oberlin did more for me than vice versa. I took a fantastic class in religion, which led me to archaeology, which got me to the Middle East, which led me to international relations, which launched me on my career.
I had toward the poetic art a peculiar relation which was only practical after I had cherished in my mind for a long time a subject which possessed me, a model which inspired me, a predecessor who attracted me, until at length, after I had molded it
From film to film, I realize my strengths and my weakness, and I realize how much better I get. I learn the lingo, I ask questions and I'm on set trying to figure out which shots they're going to use. For me, it's exploring the art. It's not just making a movie.
I love celebrities, and I love the concept of fame, but it took me getting fame to realize that it doesn't exist, which was kind of a bummer. Fame is great if you're not famous, because it seems like this elusive impossible dream world. And it's not. It's a fancy word that managers and producers make up so they can keep hawking you for more money.
The wide world was changing, and she wanted a different place in it. Not just wanted, but felt she deserved. If the world didn't owe her a living, as her mother repeatedly warned her, it owed her a break. She had a strong sense that a better, more exciting, more rewarding life than that which had been the lot of her parents and grandparents was hers by right. In this she was guilty of nothing more serious than the arrogance of youth, from which every generation suffers and by which it distinguishes itself from the preceding one.
The Greeks had two words for time. Chronos is the time we usually keep an eye on. Kairos was our participation of time. Time that moves us so that we lose our sense of time; timeless time; moments at which the clocks seems to stop; feeding, renewing, more motherly time. It's the time with which we feel one instead of outside of it, the self, the tao, the love that connects us to others.
I tend to be a lot more honest and transparent with employees than most bosses are. But I've had people tell me - even those who love working with me - that I'm terrifying, which is hard for me to imagine.
This kind of internal "telepathic" intercourse, which was to serve me in all my wanderings, was at first difficult, innefective, and painful. But in time I came to be able to live through the experiences of my host with vividness and accuracy, while yet preserving my own individuality, my own critical intelligence, my own desires and fears. Only when the other had come to realize my presence within him could he, by a special act of volition, keep particular thoughts secret from me.
I had an idea that I wanted show which would keep me happy for five years. I tried to figure how I'd feel if I had to do the part for five years. This one 'Hogan's Heroes' filled the bill.
I was doing a campaign once for a manufacturer, and I couldn't think of an ideas, and I was kind of desperate about it. The night before I had to show something to my client I had a dream, an interesting dream. I woke up and for once in my life I wrote it down and went back to sleep Next morning I went to the office and had that dream out into a TV commercial which is still running thirty years after and which has made that particular product the leader in its field.
I very much had wanted to do a picture with more humor than what I had been allowed to do earlier, which is what attracted me to Wonder Boys so much. I found it funny in a very serious way, which is the best kind of comedy.
I was keenly conscious of the comrades-in-arms who had fallen with me. A bond surpassing by a hundredfold that which I had known in life bound me to them. I felt a sense of inexpressible relief and realized that I had feared, more than death, separation from them. I apprehended that excruciating war survivor's torment, the sense of isolation and self-betrayal experienced by those who had elected to cling yet to breath when their comrades had let loose their grip.
When the show started out, it was like all of a sudden we had to do 35 episodes and we had just a month and a half to write them, and it took me a while to realize that I was in charge.
Certainly it's very difficult to keep momentum going through a film which has as many characters as this does, and the piece took on a life of its own to try and shape it. That took all the time we had in editing.
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