A Quote by Sergio Leone
I had always thought that the 'good,' and the 'bad' and the 'violent' did not exist in any absolute, essential sense. It seemed to me interesting to demystify these adjectives in the setting of a Western. An assassin can display a sublime altruism while a good man can kill with total indifference.
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You have to approach something with indifference, as if you had no aesthetic emotion. The choice of readymades is always based on visual indifference and, at the same time, on the total absence of good or bad taste.
It seemed the world was divided into good and bad people. The good ones slept better while the bad ones seemed to enjoy the waking hours much more.
I did an audiobook for 'Rough Crossings,' which I thought was one of the best books I had published. But it was an absolute embarrassment to read it. All these horrible mucked-up bits of syntax, over-the-top adjectives. I found myself editing it while reading. Alert listeners will notice the difference.
Why did Mother ask you to help me rescue Gelsi?" I asked Leif. "She thought I could assist you in some way. Instead, I had tried to-" "Kill me? You can join the 'I Want to Kill Yelena Guild.' I hear they have six members in good standing. Valek is president since he had wanted to kill me twice." --Yelena to Leif
It's hard to live up to the expectations. Besides that, I think I had a very good NBA career, and I'm proud of it. I might not have been an absolute monster, but I thought I did pretty good.
The good man is he for whom, because he is virtuous, the things that are absolutely good are good; it is also plain that his use of these goods must be virtuous and in the absolute sense good.
There is no such thing as good and bad in an absolute sense. There is only the good and bad- the harm in terms of happiness and suffering- that our thoughts and our actions do to ourselves and others.
On tue un homme, on est un assassin. On tue des millions d'hommes, on est un conquérant. On les tue tous, on est un dieu.
Kill a man, and you are an assassin. Kill millions of men and you are a conqueror. Kill everyone, and you are a god.
In the academic setting, you take (typically) lonely, interesting middle-aged men and beautiful, intelligent young women, and everybody's motivations for display and conquest are engaged to the max. Sublimated, this can be a powerful force for the good - Plato had a lot to say about that - but acted upon it can bring evils without end.
I remember thinking, without pride of self-pity, that I was not rich or poor, that I wasn't good or bad. But that was difficult: to be neither good nor bad. It seemed to me, in the end, the same as being bad.
Some people say, "Sometimes I have violent thoughts, what can I do?" So I say, "Well, have them!" Cos we should not try to control ourselves. It's very bad to control ourselves in this sense. If you have any emotion at all, if its a bad emotion or good emotion, think about it, you should just understand that you have those emotions. And it's good because we are people and we have all these emotions. And the result of that is you would become more and more peaceful. If you don't let those emotions be inside of you then you become extremely violent.
The greatest cause of evil included all human motives in one giant paradox. Good and bad were so inextricably mixed that we couldn't make them out; bad seemed to lead to good, and good motives led to bad. The paradox is that evil comes from man's urge to heroic victory over evil.
Kill a man, and you are an assassin. Kill millions of men, and you are a conqueror. Kill everyone, and you are a god.
There has always been a display of wealth and always will be, until the depression comes, which it always does. And let me tell you, a display is a good thing. It shows people that you can be successful. It can show you a way of life.
I was no assassin. I got out during the amnesty because I had not committed any violent crimes.
Listen to me: a family man is never a real family man. An assassin is never entirely assassin. They play a role, you understand. While a dead man, he is really dead. To be or not to be, right?
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