A Quote by Sergio Leone
When I used Claudia [Cardinale] for example, in Once Upon a Time in the West, she represented the birth of American matriarchy. Because women had enormous weight in America.
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You see in Once Upon a Time in the West the whole film moves around her [Claudia Cardinale]. If you take her out, there's no more film. She's the central motor of the entire happening.
Women had enormous weight in America. And they still have. Because they are truly the padrone [owners, masters] of America.
Not a shred of evidence supports the existence of matriarchy anywhere in the world at any time... The matriarchy hypothesis, revived by American feminism, continues to flourish outside the university.
There are so many issues that impact women. When we talk about prison reform, for example, women were [once] sterilized in women's prisons. When they were giving birth, they were asked to sign paperwork but they weren't even completely conscious of what they were signing. That sounds like something that would never happen in America, but it was happening, not just in America, but in [California], one of the most progressive states in the United States.
Ever since the 1860s when photographers travelled the American West and brought photographs of scenic wonders back to the people on the East Coast of America we have had a North American tradition of landscape photography used for the environment.
Justice is justly represented blind, because she sees no difference in the parties concerned. She has but one scale and weight, for rich and poor, great and small.
Katherine Johnson is a shining example of what you can truly do with hard work and persistence. Under what had to be the most difficult of circumstances she persevered and stuck to her values. She is a real West Virginia and American hero. To honor her legacy every August 26th, on her birthday, is the least we can do.
There was a time, in the nineteenth century, for example, when women spoke mostly about the house, children, birth, and so forth, because it was their domain. That's changing a little, now.
Salma and I had run into each other once or twice at film festivals because I was doing the press for Real Women Have Curves at the same time she was doing the press for Frida. She had seen Real Women Have Curves, and when the idea of Ugly Betty came up, she thought of me. Her enthusiasm about the project was so infectious-she spoke of it with such expectation. Everyone that was involved was really excited about the project. I really wanted to be a part of it.
To every woman who gave birth, to every citizen and taxpayer, it's our time to have wage equality once and for all and equal rights for women of the United States of America!
You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.
I mean, in the campaign of '24 and in '28 and '32, you know, Eleanor Roosevelt insists that women have equal floor space. And this is a great victory over time. Then she wants women represented in equal numbers as men. And she wants the women to name the delegates. And the men want to name the delegates. Well, Eleanor is absolutely furious. And because they don't want her to walk away in 1924, she wins. And this is a great political victory. She has floor space equal to the men, and she has the right to name the women.
My recipes aren't geared towards women; my books are marketed towards women because women are the biggest market for weight loss, weight management and weight maintenance and for cooking.
I had a home birth because I really believe in the body's natural ability to give birth. The medical profession has kind of warped women's minds into thinking we don't know how to birth and we need doctors and epidurals and Pitocin.
In correct theology, the Virgin ought not to be represented in bed, for she could not suffer like ordinary women, but her palace at Chartres is not much troubled by theology, and to her, as empress-mother, the pain of child-birth was a pleasure which she wanted her people to share.
The Woman had once been supreme; in France she still seemed potent, not merely as a sentiment but as a force; why was she unknownin America? for evidently America was ashamed of her, and she was ashamed of herself, otherwise they would not have strewn fig-leaves so profusely all over her. When she was a true force, she was ignorant of fig-leaves, but the monthly-magazine-made American female had not a feature that would have been recognized by Adam. The trait was notorious, and often humorous, but anyone brought up among Puritans knew that sex was sin. In any previous age, sex was strength.
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