A Quote by Seth Gordon
When you're making a film all by yourself, that requires you to have quite a bit of a point of view in order for anything to get done.
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I'm not quite that difficult, even though maybe I'm a little bit bossy. But you know, in order to get things done, you do have to be a little bit bossy sometimes or tell people what you really want. Otherwise, things just don't get done, do they?
As soon as anybody puts anything on film, it automatically has a point of view, and it's somebody else's point of view, and it's impossible for it to be yours.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
I was interested in Prozac from a personal point of view because I can be a bit moody - things do get on top of me sometimes - so I was quite keen to find out what it would do to my personality.
I think the reason why I haven't done a film in India so far is because I haven't found a script that's completely gotten my attention and made me passionate to get it made. I keep saying I'm not at all famous in my own country, because people do not think I have done anything for India. The reason why I'm making movies outside my country, bit by bit, is to be able to come back to India equipped with the knowledge and understanding of how to hopefully produce my own films one fine day.
A lot of film directors are quite scared of actors. They are a bit of a nightmare sometimes, but I like them. It looks like cunning, but you try to get extra things from them all the time, by stealth, by making them feel confident, so they trust you and you can push a bit.
Your funny gets developed pretty early on. Comedy requires that you understand as much as possible about the viewpoints of all people and everything that's going on around you. It genuinely requires a true point of view, a real sense of your own view of things in the world.
If anything can be done, it can be overdone is my point of view.
If I was asked to do a film that was just trying to sell a political point of view or religious point of view, I wouldn't do that because that's a bad script.
I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
You need to see yourself in what you direct, I think - directing is quite self-indulgent from that point of view.
It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
I think so. I can't think of anything that requires more finesse than comedy, both from a verbal and visual point of view.
Being happy requires that you define your life in your own terms and then throw your whole heart into living your life to the fullest. In a way, happiness requires that you be perfectly selfish in order to develop yourself to a point where you can be unselfish for the rest of your life.
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