A Quote by Seth Shostak

Despite the impression you may have from watching too much TV, movies are not about reproducing reality. They're about telling stories. — © Seth Shostak
Despite the impression you may have from watching too much TV, movies are not about reproducing reality. They're about telling stories.
Despite the impression you may have from watching too much TV, movies are not about reproducing reality. Theyre about telling stories.
I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
Life is a story. You and I are telling stories; they may suck, but we are telling stories. And we tell stories about the things that we want. So you go through your bank account, and those are things you have told stories about.
However much I may like to talk about or be interested in a more philosophical or moral agenda, [film] is, ultimately, about narrative. And it's about telling stories that are engaging and dramatic.
I spent a lot of - too much of - my childhood watching movies and thinking about movies.
I think there's a lot of interesting stuff on TV. I feel much more optimistic about TV than I do about movies. There will always be good movies but I think, for the most part, it's always going to be a huge fight to get those movies made. TV is the best place to be as a writer, I think.
The song 'Conceited' on 'There's Something About Remy' was inspired by people always telling me that I'm so much prettier in person or that I've lost so much weight since they saw me on TV. I don't even know if that's a compliment. Were you watching me on TV thinking I was ugly?
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
I encourage all novelists to move to TV right now, that is the way to go. I was living in New York working at a bank as a day job about seven years ago. I was writing novels at night and decided, "Wow, there's so much great TV, and they're telling the complex, interesting, psychologically nuanced stories that, as a novelist, you dream of telling. And it's a healthy, exciting, thriving medium - that's where I need to be."
What I like about the '60s movies was that they were about women. They were telling women's stories. I think a lot of movies don't tell women's stories anymore.
I want to find those stories that we may talk about at the barbecue or when we're playing bid whist or with our cousins watching TV, but you don't see it on television. Certainly it's perspective.
There's a social and human necessity for some kind of continuity, but it's not axiomatic and not something you're born into; it's something you have to work at. And one of the ways to work at it - perhaps the best - is storytelling: telling stories about yourself to others, telling stories about yourself to yourself, telling stories about others to others.
With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
Most movies are too brightly lit. I think that may come from a lot of directors having watched too much TV.
It doesn't matter what anyone else thinks about what's "too much" what's "enough" or if you're telling the "right" stories, just do good work.
Watching violence in movies or in TV programs stimulates the spectators to imitate what they see much more than if seen live or on TV news. In movies, violence is filmed with perfect illumination, spectacular scenery, and in slow motion, making it even romantic. However, in the news, the public has a much better perception of how horrible violence can be, and it is used with objectives that do not exist in the movies.
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