A Quote by Shaquille O'Neal

I'm a realist. I like to put it in business terms. I ran three different corporations my way and I was successful. But I'm an older guy who is on his way out so they brought me in as a consultant for the new, up-and-coming CEO. I'm here for him.
There is no difference between the way we see basketball; the way we execute is a little bit different. The way he uses his right shoulder, drop-step to his left hand, is a thing of beauty. There is no doubt in my mind that Pau will be a Hall of Famer because of what he brought to the game, and there's no such players like him anymore.
When business is not all that it should be there is a temptation to sit back and say, Well, what's the use! We've done everything possible to stir up a little business and there is nothing doing so what's the use of trying! There is always a way. There was a way in and there is a way out. And success comes to the man who grits his teeth, squares his jaw, and says, There is a way for me and, by jingo, I'll find it. The stagnator gathers green scum, finally dries up and leaves an unsightly hollow.
In business terms, if you take over a company and oust its CEO or fire a divisional chief, you run the place. But in institutional terms, as it happens, it doesn't at all work that way.
I think the most important CEO task is defining the course that the business will take over the next five or so years. You have to have the ability to see what the business environment might be like a long way out, not just over the coming months. You need to be able to both set a broad direction, and also to take particular decisions along the way that make that broad direction unfold correctly.
They looked at me like I was some kind of threat. [Mick] Jagger really tried to put me down, but there was no way some crude, lippy guy was going to do a number on me. I was always able to squelch him. I found out that, if you stand up to Mick, he crumbles.
I'm not the hands-on guy. I like writing the check, and I turn it over to the guys that make it happen, much like the way I ran my business.
One of my idols is my dad. All his work in Motown, and just the way he conducted himself as a human being was always interesting to me, and it seemed like the successful way, and it is a successful way, and I always wanted to do that. He's funny, and all that stuff.
There are a lot of ways to make people not like you, but one of the most powerful - if least fair - is to be really, really successful. Nobody resents the guy who just lost his job. But the guy whose Internet start-up made him a billionaire at 25? That's a whole different kettle of envy.
I have to put a business model together because certain businesses are approaching me as a legend, as if I'm on my way out. Same goes for the way I get presented on the VH1 Hip Hop Honors and BET. I get lifetime achievement awards because of who I am and what I've done, but they want to put me in a place, as if I'm on my way out.
One night a guy hit his head on a welding gun. He went to his knees. He was bleeding like a pig, blood was oozing out. So I stopped the line for a second and ran over to help him. The foreman turned the line on again, he almost stepped on the guy. That's the first thing they always do. They didn't even call an ambulance. The guy walked to the medic department -- that's about half a mile -- he had about five stitches put in his head. The foreman didn't say anything. He just turned the line on. You're nothing to any of them.
The thing is, it's my own fault. I just can't put up with a person that won't go out of his way for me. And that's what a man is. Somebody that won't go out of his way for you. I bet it says that in the dictionary.
The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That’s why I go on, I suppose. To see what the next sentences I write will be.
I suppose all of those New Romantic clubs were quite up their own asses in a way. Well, Taboo was up its own ass in a different way, but not in terms of rules.
I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. And the son said to him, 'Father, I have sinned against heaven and before you. I am no longer worthy to be called your son. But the father said to his servants, 'Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. And bring the fattened calf and kill it, and cet us eat and celebrate. For this my son was dead, and is alive again; he was lost, and is found.' And they began to celebrate.
My little one's only 12 and I miss seeing him grow up and trying to form him and mould him the way I'd like him to him to turn out, which is something like his dad!
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