A Quote by Sharon Cameron
I never have the feeling that I actually know what I'm doing or anything that I'm writing is any good.
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I've found a bit of success in my career, and I'm very relieved by it, but the success that comes after a book is published is never as happy as the feeling of writing, of knowing you've written something good, of feeling like you've had a worthwhile day in the chair. That's the best feeling I know, and as soon as writing stops making me feel that way, I'll stop doing it.
The fact is that all the recording science and technology in the world is no substitute for a good song or for real feeling. Music is about feeling and if there isn't any genuine feeling, if the song isn't about anything that anyone gives a damn about, there's nothing you can do. All the technique that exists won't make it any good; it'll just make it technological. All the production values you add won't do anything except make it glossy.
We're not doing anything vicious or doing anything hateful. All we're doing is writing music that's our truth. I don't think there's any karma for that.
For me, writing in public is actually super energizing and so much fun. Especially when writing can typically be really painful and certainly hard, and often, you're staring at the page and thinking, like, 'Uh, is this any good? What am I doing?'
I'm never, I hope, stupid enough to believe that Twitter or blogging or any of this stuff is a substitute for actually doing the work or writing a book.
I never had any frustration about writing uncredited. I always felt that the satisfaction of doing it was in the doing of it, really, and getting recognised by the small number of people that know what you did.
Never wanted to do anything else than acting ever in my life. But I'm 20, and there's so many possibilities. It would be insane for me to say, "Yeah this is definitely it, I'm never doing anything else." I'm 20 years old. I don't know what I'm doing. I don't know anything about life. So I don't know. I may be a train conductor in 10 years. I have no idea. And that's the joy of this all.
I didn't do any writing seriously until I was in my mid-twenties. But I've never really thought of myself as doing anything else. I've always wanted to write.
I love to get to that place where I don't know what kind of music I'm doing; I don't know if it's any good. I don't know if it's anything. It's a big question mark. The idea is to have interesting results. That's my bottom line.
I love the training, learning the stunts, doing them. I love feeling that power - doing things you could never actually do in life - like flying and doing backflips in the air!
I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, “This can't be good.” None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well.
You'll never regret writing any letter out of love. However, it's a good idea to reread anything you've written in anger.
The Internet is a limitless library at your fingertips. It's a great place to start with the acquisition of knowledge. My process is to go to a place when I'm writing about it. Nothing captures the essence, feeling and flavor of a place better than when I'm actually there and doing the writing.
Listen, after almost twenty years of call-in radio, I can tell you that the main thrust of too many lives is an overemphasis on feeling good instead of doing good. Being admired and respected by the self and others has taken a back seat to feeling good, or, at least, avoiding feeling bad. And, oh boy, the excuses some of you can come up with for doing so!
I started writing songs so late and I had so many day jobs - jobs just to pay the bills. So, when I started doing this, I said, "I'm never gonna do anything to corrupt this. Never try to "sell it." Never gonna do anything to make this a job." I can go five months without writing a song. Then something will happen and I'll write six songs in a week.
Do any of us know how we’re actually doing? Whether or not all the hard work and good intentions are paying off?
