A Quote by Sharon Maguire
There is something about having babies in your 40s that is unique in both a humiliating and amazing way.
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It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.
I find it interesting that 16-year-olds are having plastic surgery. People in their 40s used to think, 'I'm aging, I have to do something about it.' Now children are deciding they don't like the way they look.
Being an actor is such a humiliating experience because you are selling yourself to the public, your face, your personality, and that is humiliating. As you get older, it becomes more humiliating because you've got less to sell.
I think there's something degrading about having a husband for a rival. It's humiliating if you fail and commonplace if you succeed.
The thing about having an amazing stylist - it's not about who is better: it's more so about your body type finding amazing pieces, but also, setting the tone for what people believe is your life. It's like the editing of a movie or the color-correcting of a photo.
It'd be nice to just hear, "You did a great job." I don't say this from personal experience because I have an amazing husband who is an amazing father. I say this knowing he does it all the time. He's always great about saying, "You were amazing today." He does it without me having to ask for it and there's something so beautiful about not fishing for that compliment from your partner that gives you that much more of stability and confidence.
It's the idea of baggage. When you hear about people in their 40s boast about not having baggage. I think having no baggage is your baggage. That means that you haven't thrown yourself into the mess of life.
According to this law [the law of Dharma], you have a unique talent and a unique way of expressing it. There is something that you can do better than anyone else in the whole world--and for every unique talent and unique expression of that talent, there are also unique needs. When these needs are matched with the creative expression of your talent, that is the spark that creates affluence. Expressing your talents to fulfill needs creates unlimited wealth and abundance.
I know my dear brother, President [Barack] Obama, has a bust of Martin King right there in the Oval Office, but the question is are is he going to be true to who that Martin Luther King, Jr., actually is? King was concerned about what? The poor. He was concerned about working people. He was concerned about quality jobs. He was concerned about quality housing. He was concerned about precious babies in Vietnam, the way we ought to be concerned about precious babies in Afghanistan and precious babies in Tel Aviv and precious babies in Gaza.
Having a family is just my fave altogether. I love having these babies that love you unconditionally. It's amazing to always have such strong love. I feel so fulfilled.
Drag, at its core, is about honoring yourself and your own unique way of being a gendered, queer person. Your own unique way of using fashion to express yourself.
When you get into your 40s, it's all about lighting. It's hard. You have to face whether the way you look is your self-worth or not. Once you get beyond that, it's all about what's in your heart.
I see a wiser person than when I was younger: having babies, and passing 30, were the turning points. What women in their 40s - I am 39 - lack in gorgeousness, they make up for in wisdom. I love ageing, despite the drawbacks - thinner, drier skin.
God makes something special and unique about each person that sets them apart from every other person, and to me that's is what artistry is about, whether you are a plumber, a pinter, a musician whatever it is that is unique about you that is translated into your art.
It's rare that you see an artist in his 30s or 40s able to really contribute something amazing.
[Dennis Mathis] was very sensitive about keeping the unique way that I spoke English - it had a lot of Mexicanisms or Mexican syntax. So you keep it in because it's adding something unique.
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