A Quote by Shawn Levy

It's no coincidence that 'Night at the Museum' completely blew the lid off my career. I finally got a handle on tone. — © Shawn Levy
It's no coincidence that 'Night at the Museum' completely blew the lid off my career. I finally got a handle on tone.
I guess it started in London, the night our dad blew up the British museum.
I got the sexton, who was digging Linton's grave, to remove the earth off her coffin lid, and I opened it. I thought, once, I would have stayed there, when I saw her face again - it is hers yet - he had hard work to stir me; but he said it would change, if the air blew on it.
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
In the beginning this is bound to happen. You have been sitting on the lid that covers your repressions, and you have been riding on that lid a long time, trying continuously to hold down everything beneath it. To become a witness means that you have finally jumped off the lid; now you will only stand aside and will not do anything. Now you will no longer repress, now you will just witness. So everything suppressed will arise, all the repressions will catch fire; you will find flames leaping where there were only ashes.
When I finally got to go ride the mountains in Japan, it blew my mind.
After I finished 'The Darkest Minds' series, I knew I wanted to take a risk and work on something completely different - lighter in tone, with a little bit more romance, and a completely different set of characters - that would also, um, finally justify my liberal arts degree.
In the limelight I play it off fine, but I can't handle it when I turn off my night-light.
It was an odd coincidence that my career took off the same decade as having babies. I often wished it had been different, that I had my big career bump in my thirties and my babies in my forties or vice versa.
I got to see Black Sabbath, Pantera and Deftones together, I remember that blew my mind completely.
Brian Eno and Robert Fripp's foray into some artful excursions into some ethereal electric experiments. There was a lot curious activities emerging in London, Amsterdam, and Berlin back then developing some fiercely fuzzy of synth-like effects way outside the norm which really blew the lid off things.
Someone once told me they didn't like taking the lid off the kettle because they'd just lose it in the kitchen, so we made a kettle with an attached lid that you slide. It was in response to that that we made one that did something different.
I try to dig deep into the well of my subconscious. At a certain moment in that process, the lid is opened and very different ideas and visions are liberated. With those I can start making a film. But maybe it's better that you don't open that lid completely, because if you release your subconscious it becomes really hard to live a social or family life.
I got so many emails and text messages, my phone blew up because it couldn't handle everybody. It's like almost being at your own funeral because of the way the headline read.
Being the way I used to be didn't really fit the family profile. I was always loved but if, say, Dad had an interesting business idea I'd be the last person he'd want to share it with in case I blew the lid on it.
As a woman, birth control can really mess you up. Like, I switched and it completely messed me up - not completely, but I just started breaking out and as soon as I got off it, my skin was completely clear again.
The cat, having sat upon a hot stove lid, will not sit upon a hot stove lid again. Nor upon a cold stove lid.
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