A Quote by Sherman Alexie

Every movie is a road movie. Every novel is a mystery. Every tortilla chip is sacred. — © Sherman Alexie
Every movie is a road movie. Every novel is a mystery. Every tortilla chip is sacred.
You can't really imagine every moment of a movie in the same way that you wouldn't expect a novelist to envision every sentence of his 800-page novel.
Every movie is a surprise. That's what is so fun about it. You can be planning a movie for years, and then you'd better be surprised every day, or it's going to be stale.
Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.
Every movie is different. Every movie requires its own sort of photographic voice.
Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.
I learn from every movie I do because on every movie I have a different experience.
I learn from every movie I do because on every movie, I have a different experience.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
It didn't happen every time for every movie. Ruthless People was a good movie, but we didn't get a good release or marketing. They completely blew the opening.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
For every moment of joy Every hour of fear For every winding road that brought me here For every breath, for every day of living This is my Thanksgiving
I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
I read scripts movie, TV and theater. I read every novel that is published. I read every book that comes out on the theater or the movies, including the technical ones.
I always try to better myself with every movie I make. I don't take anything sitting back, and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film, and I think I am growing with each movie.
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