A Quote by Sherman Alexie

I end up feeling like a spy in the house of ethnicity, you know? Because people will talk around me as they would talk around the people in their cultural group. So I get to hear all the secrets and jokes and you know, I'm a part of every community because of the way I look.
I don't think people talk about mental illness a lot, but they need to know it's OK to talk about how they are feeling. People are afraid of telling the truth because they think it's going to hurt everyone around them. I've kept so much inside that I've literally lost it. I wish more people would get help when they feel like they need it-- not just to look to medicine, but to the support of others.
Own only what you can always carry with you: know languages, know countries, know people. Let your memory be your travel bag. Use your memory! Use your memory! It is those bitter seeds alone which might sprout and grow someday. Look around you - there are people around you. Maybe you will remember one of them all your life and later eat your heart out because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear.
I like to play around with people who don't know me. Often I'm talking to people through my speaker phone, and after 10 minutes or so they say, 'Wait a minute, Marlee, how can you hear me?' They forget I have an interpreter there who is signing to me as they talk. So I say, 'You know what? I can hear on Wednesdays.'
I can't really sit around and talk with people who believe that the Bible is the way it happened, because that's man-made. I'm a writer, too; that's how I look at the Bible. Like, 'I could've written a better version than that,' you know? At least a more interesting one, and then maybe more people would go to church. I could definitely do a revamp.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
There are jokes I know I want to tell, and there's sort of a rough order, but usually I try to change it up every show, to improvise and talk with the audience. I think when you tell jokes, if you're not careful, you can end up telling the whole list of jokes and then that's it. And that can get a little boring.
I think my reputation is pretty fair among the drivers. The drivers know what they get when they see me or talk to me - if they get the chance to talk to me, because some of them I just don't talk to because I don't like them, so they should know.
You know what I noticed when I was with Jacob? In your world, people can reach each other in an instant. There's the telephone, and the fax - and on the computer you can talk to someone all the way around the world. You've got people telling their secrets on TV talk shows, and magazines that publish pictures of movie stars trying to hide their homes. All those connections, but everyone there seems so lonely.
When I was growing up, there was nobody in my family - not even my mother - who I could look to and be like, 'I know you've never said anything homophobic.' So, you know, you worry about people in the business who you've heard talk that way. Some of my heroes coming up talk recklessly like that.
Every single day, entrepreneurship has highs and lows, and you need to feel like you have a community around you. That is insanely important - to have a community of people around you lifting you up and who really know you.
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
The better you get, the less you run around showing off as a muscle guy. You know, you wear regular shirts-not always trying to show off what you have. You talk less about it. It's like you have a little BMW - you want to race the hell out of this car, because you know it's just going 110. But if you see guys driving a Ferrari or a Lamborghini, they slide around at 60 on the freeway because they know if they press on that accelerator they are going to go 170. These things are the same in every field.
What I do onstage, there's maybe .0001 percent of the population that acts like that. I talk like that because it makes me laugh, and because I know a couple of people that talk like that. They're really that Southern. And they do funny things. I love 'em; they're awesome. They're good people.
I never really feel like just standing there and telling jokes. I want to move around. In fact, it's hard for me to write a joke where I don't end up on the ground for some reason. Hey, at least that way, I know no comics will steal my jokes. Too many bruises.
I have no idea what advantages I truly get, but I know people talk to me and give me time of day because they like how I look.
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