A Quote by Shinichiro Watanabe
I wanted to have lots of characters in 'Bebop' without white skin, and if people weren't used to that, well, maybe it would even make them think a little bit about it.
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Lots of times when you watch anime, the characters all have white skin - all the characters in fantasy stories all have white skin, which I never liked.
I think people are having less of an investment in relationships. It used to be that you meet someone, you go on four or five dates and you gradually get to know them and trust them at the same time, and you learn a little bit about them. Now, it could be one date - maybe even before that first date - you go on Facebook have all the information.
I look for interesting titles that are curious and make people think. A lot of people are always so caught up in their lives. But if I make them smile through my titles or provoke them a little bit then maybe they will think about things and read the book and take something away from it.
I remember when people used to think I was smart. I remember when people used to think my brain was useful. Damaged by water, sure. And ready to seizure at any moment. But still useful, and maybe even a little bit beautiful and sacred and magical.
Do people think I'm cool because I was in a movie when I was a child? No. Well, maybe a little bit more than they used to. There's definitely a nostalgia factor.
People who are just starting out are always sort of coming to me for advice as the example of "independent girl," and lots of people ask, well, how did you get the booking agent or the national distribution or the tours? And I look at them like, "Good lord! Relax!" I mean, how I did it was to not care about it and to not even think about it for years and years. All I thought about was getting the next little gig in the little bar, and I get this sense that people want me to give them the secret formula or the magic trick to make it all happen.
One of the keys is, and it may sound funny, talking about characters with super powers, but one of the keys is to make your characters as realistic and believable as possible. Even if they have super powers, you say to yourself, "Well, if somebody had a super power like this, what would his life be like? Wouldn't he still maybe have to go to the dentist or wouldn't he have to worry about making a living? What about his love life?" You've got to make characters that your reader can believe exists or might exist.
I love Texas. Even if I am a little bit famous or a little bit popular... You go to places where you're not and just live like everybody else lives. I'm not crazy about this country in terms of the shape it's in, but I do think there are lots of great pieces to go to. I think I should take advantage of it while this country still exists.
If you can say something to people that's maybe a little bit insulting, but they're kind of giggling as they are hearing it, if you say something to their face without them getting mad at you, I think that's the right balance. You don't want to make it uncomfortable, especially for the viewer or the people around either. Sometimes that happens. You're watching and you're like, 'Uh, this is awkward. I don't want to look!' But, if everybody's enjoying it, I think that works.
I think the more you have a generalist perspective, I think sometimes the more you can kind of see through the forest and the trees. And when it gets a little bit cloudy, you know, have some sense of, "Well, maybe this might happen or maybe that might happen." So I really am a big believer in liberal arts education. I think it's better - particularly in these kind of uncertain times - to know a little bit about a lot of things as opposed to being expert in one thing.
Not being well-versed in that arena myself, it's a little bit frightening because I'm not very good in those situations with lots of people and lots of famous people and cameras and all of that. It's not my specialty.
Maybe...in a way, this coffee reminds me of something. Maybe...maybe only a philosopher or a mad man would make this connection, but it's a little like life. I mean it's powerful going down and that doesn't even take into account the aftertaste, which really takes getting used to.
[Donald] Trump, I think, is the sort of guy that if he maybe thought he'd made a little bit of a mistake, would find a way out, he wouldn't want to say, "Well, that's what I've done and I'm sticking to it, and I don't give a damn." Which is what the other people in America would be like.
I definitely think the fact that I come from a multicultural background, my mother living life in a white skin and having white skin privilege from the time I was little, I was aware of that.
All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.
Some people say, 'Well you're a man; how do you write about women or girls when you don't know about them?' Well, I've got my imagination, and I can write about women. Yes, I'll never be pregnant and give birth to children, but I can imagine a bit of what it's like. When you create characters, it's just about making them really real to people.
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