A Quote by Shira Goodman
I love pens, especially when writing on good-quality paper. But I don't have a favorite - I try all kinds in all colors. Like most folks, I misplace them a lot, so I don't use anything too fancy.
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I lose pens a lot, so I don't use fancy ones.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
I was given some designer colors for ink pens a long time ago and I haven't used them, and I have some handmade paper, and I just have the desire to drip on wet paper. It reminds me of when I was seven years old and had my tonsils out, and one of the first artworks I made was on toilet paper with a colored pencil; it was sort of half paint and half colored pencil. But I got very involved with color and absorption and I think, you know, 78 is a good time to go back to the beginning.
Take the gesture, the action of writing. I have an almost obsessive relation to writing instruments. I often switch from one pen to another just for the pleasure of it. I try out new ones. I have far too many pens - I don't know what to do with all of them! And yet, as soon as I see a new one, I start craving it. I cannot keep myself from buying them.
If I tell you purple look good on you, and you ain't never wore purple, your favorite colors are red and green, and you're like, No man, these my colors. You won't know purple is your color until you try it on.
When you're looking for a sketchbook, you've got to find the right paper for the pens you like to use. I like to draw on both sides of the page.
Being a brown girl, I like to wear colors that are similar to my skin tone, so I wear a lot of dark colors - never anything that's too bright.
Keep it simple in the kitchen. If you use quality ingredients, you don't need anything fancy to make food delicious: just a knife, a cutting board, and some good nonstick cookware, and you're set.
I love St. Ives Apricot Scrub, and you can just get that at CVS - it's so good, though; it's my favorite! Usually I only use that when I shower, because if I don't shower, I'm usually too tired to wash my face and just use Maybelline cleansing wipes. And then I use Chanel Hydra Beauty Lotion. That's so good, I love it.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
I try to remind people that there are a lot of good people, all colors. Then there's some bad ones, too. But there's a lot of good people who really care.
With the juice, I try to put a lot of different kinds of vegetables in there like zucchini, kale and broccoli. It looks scary, but it's so good for your body, and I just love the taste of it. It's so fresh; I love it!
I still use a lot of cut-ups, I physically cut-up pieces of paper and stick them all together on another piece of paper then I'll think, "Ah, that looks good," or shuffle them around a bit and then I'll photocopy it and then that's my lyrics.
I use a quill pen dipped in India ink. I also like Faber-Castell brush pens and Pigma Micron pens. And I work on Duo-Shade board.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
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