A Quote by Shoojit Sircar

If I had used real names, I don't think 'Madras Cafe' would have ever seen the light of day because it was a political film, an adaptation of a true incident. — © Shoojit Sircar
If I had used real names, I don't think 'Madras Cafe' would have ever seen the light of day because it was a political film, an adaptation of a true incident.
I have seen many festival films and I will be blunt, I don't think 'Madras Cafe' was ready for festivals.
Radha Krishna Sir, the director of 'Jil,' had seen 'Madras Cafe' and liked my acting in it. He wanted a performer and so got me on board.
Suddenly, there was an enormous flash of light, the brightest light I have ever seen or that I think anyone has ever seen. It blasted; it pounced; it bored its way into you. It was a vision which was seen with more than the eye. It was seen to last forever. You would wish it would stop; altogether it lasted about two seconds.
It was a surprise for my family when I told them that I was offered 'Madras Cafe.' My family was initially worried because I have got no film background.
My debut film, 'Madras Cafe,' is a political thriller in which John Abraham plays an army officer. My character's name is Ruby Singh, and I play John's wife, with all the strappings of an army man's wife.
I wish that George W. Bush had gone to Vietnam, because he would have seen history in a different light. He would've experienced it in a different light because I don't think he understood the nature of war.
I met Michael Snow and Stan Brakhage the second day after I arrived, you know. I had never seen or heard of Brakhage. For me, it was a revolution, because I was well educated in film, but American-style experimental film was known to me in the abstract, and I had seen practically nothing. I had seen a film then that Noël Burch had found and was distributing called Echoes of Silence. It was a beautiful film, three hours long. It goes forever and it was in black and white, very grainy, and I saw that film and I thought...it was not New Wave. It was really a new concept of cinema.
It is easier to make a film but difficult to make it on your own terms. In that sense 'Madras Cafe' was a very satisfying experience.
I remember that winter because it had brought the heaviest snows I had ever seen. Snow had fallen steadily all night long and in the morning I woke in a room filled with light and silence, the whole world seemed to be held in a dream-like stillness. It was a magical day... and it was on that day I made the Snowman.
I was lucky because I used to live right next to a video-rental store. I used to spend so much time watching films. So I've seen a lot. I used to watch 'Dynasty' and 'Dallas' and have seen every kind of film. I've been influenced by everything I've seen.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
If I had my career to do over again, I think I would wrestle under my real name, John Hennigan, because if there was some sort of brand test associated with professional wrestling, I would hardcore fail that test because I have so many names, it's confusing to me, even.
You think me foolish to call instruction a torment, but if you had been as much used as myself to hear poor little children first learning their letters and then learning to spell, if you had ever seen how stupid they can be for a whole morning together, and how tired my poor mother is at the end of it, as I am in the habit of seeing almost every day of my life at home, you would allow that to torment and to instruct might sometimes be used as synonymous words.
Just filming Season 1 was different because I had to fly back and forth, in and out. I remember the show was just so relaxed because no one knew what the show was; we used the words 'Stranger Things' on all the sides, and all the cast names. Then in Season 2, you used code names for everything, and they just had to up the security.
...night possessed us and the shadow of death encompassed us, for we had fallen into sin and lost the power of sight which was ours by God's grace and by which we were able to perceive the light that bestows true life. Night and death had been poured out on our human nature, not because of any change in the true light, but because we had turned aside and no longer had any inclination towards the life-bearing light. In the last times, however, the Giver of eternal light and Source of true life has had mercy upon us.
I think 'The Leftovers' is one of the most extraordinary shows that has ever seen the light of day.
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