A Quote by Shoojit Sircar
'Vicky Donor' is now seen as a case study and the intelligentsias are looking at it from a strong academic point of view. I keep getting calls from medical practitioners who constantly thank me for making this film.
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I am happy that I am back and with a great project like 'Vicky Donor.' I have had a hard time in the past with 'Johnny Mastana' getting stuck but I hope this film brings positiveness into my life.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
When I made 'Vicky Donor,' people said it's not a family drama, it is for youngsters. But families also went and watched the film. Same happened with 'Piku' and 'October.'
The rise of Ben Carson is a fascinating case study in grassroots cultivation that's resulted in strong support among evangelicals and women, reflected in the most robust small donor base in the 2016 race.
I am really influenced by normal, simple, everyday life and people, like the Biji and Dolly in 'Vicky Donor,' who used to drink and say whatever they felt like. These characters were so lively. I have seen these people around me.
I have been receiving calls from all quarters since the release of 'Madras.' I need to thank audiences for believing in me and making this film successful.
I have a strong point of view, and that's a double-edged sword. It can be a phenomenal characteristic in terms of getting things done, but it can also mean I will be relentless in my pushing for my point of view.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
Seen from a lower point of view, the Constitution, with all its faults, is very good; the law and the courts are very respectable;even this State and this American government are, in many respects, very admirable, and rare things, to be thankful for, such as a great many have described them; but seen from a point of view a little higher, they are what I have described them; seen from a higher still, and the highest, who shall say what they are, or that they are worth looking at or thinking of at all?
I would love to do a 'Vicky Donor' kind of movie.
Film is more than the twentieth-century art. It's another part of the twentieth-century mind. It's the world seen from inside. We've come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film. You have to ask yourself if there's anything about us more important than the fact that we're constantly on film, constantly watching ourselves.
'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
There were a lot of offers before 'Vicky Donor,' but I wanted to wait for the right opportunity.
The knowable world is incomplete if seen from any one point of view, incoherent if seen from all points of view at once, and empty if seen from nowhere in particular.
I had some great experiences, but there were times when films didn't do well right, especially after 'Vicky Donor.'
A film is a film and it has to be good to be inspired. That's number one. It can be Italian, French, German, American. It's moving images in front of you and with a strong director who injects his point of view and artistry.
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