It is easier to make a film but difficult to make it on your own terms. In that sense 'Madras Cafe' was a very satisfying experience.
In Shoojit's films, there is no hero and villain. Every character has its own space and there is a social message in all of his films whether it is 'Vicky Donor' or 'Madras Cafe.'
I have seen many festival films and I will be blunt, I don't think 'Madras Cafe' was ready for festivals.
Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.
It takes a government to set up public-private partnerships and develop university programmes. I think this is the best path for India, given the rapid progress the country has already made and given the rapid progress we all hope India will continue to make.
'Madras Cafe' is set against the backdrop of the civil war in Sri Lanka in the 1990s.
In a vast and diverse country like India, a political party with secular ideology can ensure stable and progressive government.
All black women aren't sassy, loud, difficult, or subservient. We are, in fact, very complex and very diverse, living very complex and diverse lives. That point cannot be made enough.
After being signed for 'Madras Cafe,' I joined Jogi Singh's acting classes, where I learned the basic nuances.
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
I find it very difficult to relate to India's new middle class. This very patriotic and neoliberal group that mixes religion and economics together. I find them very irksome. Very difficult to like. They are privileged, but they don't want to talk about their privilege. It's difficult to find poetry amongst these people. Some sort of hidden spirit of beauty.
India is a country that has no direct interests in some areas of global conflict. It has very good relations with countries in conflict or countries facing difficult security situations, and I believe Indian diplomacy is very well received. India is a bridge-builder, an honest broker, and a messenger of peace.
We will ensure that the important characters of what make 'Make in India' an important flagship programme for PM Modi is given full play for defence production. 'Make in India' needs to take over so we benefit from what is manufactured in India and finds an international market.
Radha Krishna Sir, the director of 'Jil,' had seen 'Madras Cafe' and liked my acting in it. He wanted a performer and so got me on board.
If I had used real names, I don't think 'Madras Cafe' would have ever seen the light of day because it was a political film, an adaptation of a true incident.
It was a surprise for my family when I told them that I was offered 'Madras Cafe.' My family was initially worried because I have got no film background.