A Quote by Shoojit Sircar

I never try and send messages through my feature films; it's always naturally woven in and comes through on its own, as that's the way I think about society. — © Shoojit Sircar
I never try and send messages through my feature films; it's always naturally woven in and comes through on its own, as that's the way I think about society.
I don't send and receive messages on Snapchat; I never have. Stories is the only feature I use. I think of them becoming a more dynamic social network, and I think it's great.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
I'm working in a form of cinema that can be described, and has been described, as a diaristic form of cinema. In other words, with material from my own life. I walk through life with my camera, and occasionally I film. I never think about scripts, never think about films, making films.
Like the way we get to know about the society of Korea, Iran, and other countries through their films, people will get to know about our country. Our films are a mirror of our society.
Nobody had his [Ed Wood's] style. That's something I try to do in my films. You have your own kind of cryptic messages in there - cryptic things that most people wouldn't understand but are important to you. Things that kind of keep you going through the process.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
A movie is a creative process from its conception, through its writing, to its execution, to the editing. I think with the best films there is some kind of contribution from one person all the way through that. The best films are made by people who write, direct, and edit, so there's continuity.
Genius detects through the fly, through the caterpillar, through the grub, through the egg, the constant individual; through countless individuals the fixed species; through many species the genus; through all genera the steadfast type; through all the kingdoms of organized life the eternal unity. Nature is a mutable cloud which is always and never the same.
I appreciate all the people I've met through curling. It's been woven through the story of my life. But that win-at-all-costs attitude is, thankfully, no longer there. Still, when I step on the ice, something goes through my veins. It's showtime. When you've spent over 40 years chasing something, it never leaves you.
Over the years I have always said what I wanted to say through my films. I have ensured that I will not allow anyone to question what I tell through my films.
We live in a society running from pain through alcohol, through too much exercise, through sugar, through drugs - as opposed to realizing that these things come up because they are lessons. It's a way to wake you up.
There may be people who try to imitate art when they get dressed and people who just get dressed to cover themselves up, but I guess that both send out messages and communicate their ideas and feelings through their looks.
Through the years, through my own conversations, through my own weird obsessions, I think I have developed some very deep politics of political knowledge - and I think I have huge blind spots, too - which I have tried to build not necessarily through traditional interviews so much as it is conversations and a lot of research and reading.
For seven years, I made films in the cinema verite tradition - photographing what was happening without manipulating it. Then I realised I wanted to make things happen for myself, through feature films.
I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing.
I think that critiquing the myths of our society and helping people find their way through them is a very important thing. It's a theme that goes through all of my work.
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