A Quote by Shoojit Sircar

You can understand the integrity of the filmmaker from his camera angles. You can't hide anything from it. — © Shoojit Sircar
You can understand the integrity of the filmmaker from his camera angles. You can't hide anything from it.
TV helped me understand camera angles, close-ups, master shots.
You've gotta understand camera angles, camera movement - a kick that may not be very powerful may look very powerful from a certain angle.
It's fun to watch a true-blue movie star at work. They're really unbelievably charismatic. They understand camera angles.
I don't think there's a morally perfect way to do anything in life, but I'm not a filmmaker who tries to hide my mess.
I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don't use my camera anymore as a camera. I don't feel it as a camera. I feel it as a friend, as something that doesn't make an impression on people, that doesn't make them feel uncomfortable, and that is completely forgotten in my way of approaching life and people and film.
Redford always has been a cool presence both before and behind the camera. His best movie as a filmmaker, 1994's 'Quiz Show,' exhibits a classicism verging on self-repression, and the social indignation in many of his films engages more than moves you.
You don't rehearse jazz to death to get the camera angles.
It has a lot to do with just sort of trust in the relationship that builds between the filmmaker and the subject. There are some people who will never be relaxed in front of a camera, and in some ways that's my failing as a filmmaker to not put them at ease. It's also a function of time, and if you have that type of time.
You have to remain strong. That's the kind of filmmaker I want to encourage. Orson Welles was the one who said, you know, you can learn anything you need to know about filmmaking- that's camera, sound, celluloid, video at this point- in four hours. It has nothing to do with anything. It has nothing to do with it... It has to do with what you want to say. If you feel you have something to say, you'll find that way to get it said, on film, and not let anyone or anything chip away at that or tarnish it, because it's something special and precious.
With integrity, you have nothing to fear, since you have nothing to hide. With integrity, you will do the right thing, so you will have no guilt.
Perhaps the surest test of an individual's integrity is his refusal to do or say anything that would damage his self-respect.
Francis Lawrence is an astonishing filmmaker, an incredibly gifted visual filmmaker. I have great respect for his work.
Visual artists use drones to capture beautiful new images and camera angles.
Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.
'Heyy Babyy' needed fast cutting and eye contact. It didn't need fancy camera angles.
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